Chapter 1856: Talent in the crew

　　 Tuesday, August 16, at 8 o'clock in the morning, daily TV station, "Detective Twilight" crew office, conference room.
　　Along with Sachie Nakamura’s drink, there was a handsome man in his thirties.
　　 "Mori detective, this is the screenwriter of Tofu Koda."
　　 The screenwriter Kada Dufu said: "Hello, Maori detective, it is great that you can come."
　　 Maori smiled and said, "Well, you are too polite. I just provide some examples for your reference. It is you who really compiled them."
　　 Conan asked excitedly: "Hey, you are the screenwriter Kada Tofu, did you write the "52nd Chamber"?"
　　 The screenwriter Kada Dufu laughed and said, "Yes, you like it too."
　　 "I really like it." Conan asked, "How did you think of it?"
　　 "I saw someone working on it once, and then I thought about it."
　　 The screenwriter Koda Tofu and Conan talked about the TV series "Detective Twilight", and then Ran also joined.
　　 Sachie Nakamura chatted with Mori, brought the topic to the previous cruise incident, and encircled Yamazaki, but then it was basically Mori alone.
　　 Sachie Nakamura made a very good listener, and from time to time he talked to Yamazaki so that Yamazaki would not be idle.
　　 Yamazaki is a little bit emotional, it seems that the receptionist needs to be professional.
　　 The chat lasted more than half an hour, less than nine o'clock in the morning, and then a tall and thin man in his forties came in.
　　 "Ah, this is..."
　　 "Ah, this must be the famous detective Kogoro Mori, I'm Sakuma Akira, please give me your advice later."
　　 The screenwriter Sakuma Akira interrupted the introduction of Sachie Nakamura and walked over directly.
　　 Maori hurriedly got up and said, "Where, I would like to ask you for your advice later."
　　 The screenwriter Kada Tofu stood up and said, "Sakuma-senpai."
　　 Sakuma Akira, the screenwriter, said: "Kada, you came really early, and you're missing Iori again."
　　 "What would you like to drink?" Sachie Nakamura said, "Mr. Iori said that he would go back to the city department's house to worship yesterday, and I must not be here so early today."
　　 "Then have a cup of coffee."
　　 "Okay, please wait a moment."
　　 Sachie Nakamura is gone, and the screenwriter Akira Sakuma sat down in her place, and then he hosted the chat room, but he was too bad at treating guests, except for Maori, everyone else was cold.
　　 Soon after, Sachie Nakamura came back and saved the scene. ...
　　 Around 9:30 in the morning, Producer Ryoko Inoue brought in a big belly man in his fifties.
　　 Kada Dofu, the screenwriter stood up, "Master Iori."
　　 "Why did you come here?" Sakuma Akira said the screenwriter.
　　 "Sorry, sorry, there is a traffic jam."
　　 Inoue producer introduced: "Mr. Mori, this is the editor-in-chief of Iori."
　　 "Maori detective, I am Jeanji Iori. I'm so sorry to keep you waiting."
"Hello Hello."
　　 Inoue producer high-five and said: "Okay, please sit down, let's go directly to today's topic."
The editor-in-chief of 　　 Iori said: "Who, can you pour me a cup of coffee?"
　　 "Yes, I'm going now." Sachie Nakamura responded.
　　 "Let me go, Iori-sensei is most satisfied with the coffee I make." Koda Tofu, the screenwriter laughed, and then said to Mori and others, "Everyone has finished their drinks, I'll bring you another cup."
　　 The screenwriter Kada Tofu went out without waiting for everyone to answer, and followed up with the restroom above Yamazaki as an excuse.
　　 just felt the danger, from the screenwriter Kada Tofu.
　　 What he wants to do, I don’t know.
　　 However, it can be expected that his motive is talented but not useful.
　　 Conan likes his script, which shows that he is talented, but what he learned from the chat just now, there are not many episodes based on his script.
　　In other words, he was suppressed, and the pressure should come from his own qualification system, and the editor-in-chief of the big belly but small-minded Iori also has the responsibility. ...
　　 Pantry.
　　 Yamazaki approached the screenwriter Kada Tofu, and he could feel the danger radiating from him. He was thinking about murder.
　　The screenwriter Koda Tofu saw Yamazaki come over, "Ah, you don't need to come here, I can do it alone."
　　 While talking, the danger from Kanda Tofu's screenwriter disappeared.
　　 Yamazaki said: "No, I am looking for you with a presumptuous thing, I think you are very talented, but not paid attention to, I want to introduce a new working environment to you, that is, Mihua TV, you will lead a team.
　　 The screenwriter Kada Dufu was caught off guard, "Well, are you kidding me?"
　　 "No kidding," Yamazaki said, "Moreover, Miflower TV is responsible for all the procedures and fees related to job-hopping. You don't have to worry about it. I believe you can earn back the relevant expenses for Miflower TV. You have this value."
　　Because of being affirmed, the screenwriter Kada Dufu was a little moved, "Thank you, thank you."
　　 Yamazaki said: "But the question now is whether you want to believe me, even if I call someone now, if you think I'm lying to you, I can't prove it now."
　　 "It's okay," the screenwriter Kada Dufu laughed. "It's not a moment anyway."
"Indeed." Yamazaki smiled, and at the same time thought, since the screenwriter Kada Tofu said that, he said that he is not ready to do it now, and then said, "Then, please give me your phone number. I will take it when I have time. You go to the Mi Flower TV station, and then you decide for yourself whether or not to change jobs."
　　 The screenwriter Kada Tofu hesitated for a while, but decided to take a trip. After all, there was nothing to lose, "Okay, I will beg of you then."...
meeting room.
　　 I don’t know the progress of the meeting. Anyway, Maori talked about a lot of cases, and Sachie Nakamura made the minutes of the meeting.
　　 But from Yamazaki's point of view, Iori made the second editor seem to be perfunctory, probably because he was dissatisfied with Uncle Maori's participation in the screenwriting, but due to the pressure of ratings, he had to agree to find Uncle Maori for materials.
The meeting lasted until 12 noon. Producer Inoue looked at his watch, "Well, Mr. Mori, you have already talked about a lot of cases. Thank you so much. If you don't mind, can I invite you to lunch? "
　　 "Ah, then it's better to be respectful than fate." Maori agreed.
　　 Producer Inoue looks to the editor-in-chief of Iori Jōji, screenwriter Sakuma Akira, and screenwriter Tofu Koda.
　　Iori asked the second editor to agree, and the screenwriter Sakuma Akira and the screenwriter Kada Tofu also stayed.
　　 "Then, Ms. Nakamura, I beg you here. Come and find us later."
　　 "Yes, Mr. Inoue."
　　 Sachie Nakamura was left to clean up the meeting room. Producer Inoue and the three screenwriters accompanied Maori out, and Ran followed Conan with him.
　　 Looking at Sachie Nakamura who was packing up, Yamazaki felt that this was also a talent, and decided to take her with him later. ...
　　 The lunch was pretty good, but there was no drink and the atmosphere was not that good, so it ended soon.
　　 "Well, I came in a hurry in the morning, and I haven't gotten home yet. If I dare to go back and have a look, I will leave."
　　 "I am also adjourned. Some information needs to be sorted out."
　　 God asked the second editor and the screenwriter Sakuma Akira to go out, and then left.
　　 "Then, Mr. Mori, we will go back first, thanks to your advice, if your case is useful in the script, I will explain it to you again."
　　 "Okay, thanks for the hospitality."
　　 Producer Inoue took her person away, and Maori put on a bitter melon face, "Okay, let's go back too."
　　 Lan was strange, "Yeah, why are you suddenly upset, father?"
　　 Conan smiled and said, "Because the screenwriters obviously did not intend to use the case of the uncle, they only accepted the meeting because of the producer Inoue."
　　 "Isn't it?" Lan didn't believe it.
　　 Maori glared at Conan, "Talking boy, but he was right, he's gone, what's wrong." He put his hands in his pockets and left angrily.
　　 Yamazaki smiled and said, "Lan, I have something to do, so I won't go back with you, and speak to my uncle for me."
　　 "Okay." Lan responded, and then went to chase Maori, "Dad, you go slowly."
　　 Conan asked Yamazaki, "Hey, what do you want to do?"
　　 "Help people introduce jobs."
　　 "Kanda Tofu?"
　　 "That's right, he stayed there."
　　 "Ha, that's not bad, I hope I can see his show sooner."
　　 Conan got the answer and ran after Lan.
　　 Yamazaki shook his head amusingly, and then took the phone to call the screenwriter Kada Tofu. ...
　　 Soon after, it was sold outside the TV station.
　　 Yamazaki met the screenwriter Kada Tofu, and asked him to call Sachie Nakamura down.
　　 "Miss Nakamura?"
　　 "Yes, I found that she is also a talent, so I want to bring her with me, but please don't say anything."
　　 "That's it."...
　　 Soon after, Sachie Nakamura came, "Well, screenwriter Kada, is there anything you asked me to come?"
　　 "This Maori detective's assistant is looking for you."
　　 "Oh, hello."
　　 "That's it, I wonder if you are willing to change your job?"
"what?"
　　 Sachie Nakamura was completely at a loss as to what Yamazaki said.
　　 "I know this is a bit sudden for you, and to be honest, I don't know if you will succeed in the end, but this is a good opportunity for you."
　　 Sachie Nakamura glanced at the screenwriter Kada Tofu, lowered his head and said incoherently: "No, that, thank you, I don't plan to leave, I think it's good here."
　　 Kada Tofu screenwriter laughed: "Miss Nakamura, don't care about me. To be honest, I am just like you now."
　　 "Huh?" Sachie Nakamura was surprised.
　　 "Of course the decision is in your hands, but it doesn't hurt to walk with me, isn't it?" Yamazaki smiled, "The taxi is here, let's go."
　　 Finally, Sachie Nakamura obediently got into the car with a feeling of indescribability. ...
　　 Yamazaki contacted Tachibana Manya who manages the Tsukiyo department, and Oki Ruri was assigned to come.
　　 The work of the screenwriter Kada Dufu was solved very well, and the interview in the personnel department of the rice flower TV station passed the interview.
　　Recommended by Oki Ruri, he immediately decided to let the screenwriter Kada Dufu form a column team and set aside the initial preparation funds.
　　 Seeing this, the screenwriter Koda Tofu immediately decided to resign.
　　 Then the question came. The lawyer asked the screenwriter Koda Dufu what contract he had signed before and could he get back the script he wrote?
　　 This question, the screenwriter Tofu Koda really doesn't understand, and can't answer it.
　　 So, the screenwriter Kanda Tofu quickly went back to find the contract. ...
　　 On the other side, the interview with Nakamura Sachie also started. After reading some information, he received a guest group from a variety show.
　　 Looking at Satoe Nakamura’s thoughtful hospitality, Ruri Oki smiled and said,
Mr. Yamazaki, the person you recommended is planning to take the opportunity of public relations managers like us.

　　 "I don't mean that, but incidentally, she is far behind Ms. Liuli~EbookFREE.me~," Yamazaki said, "but you can train me well, and I can share some work for you in the future."
　　 Omu Liuli smiled and said, "Don't you understand? Another meaning of sharing work is to be replaced."
　　 "Work is endless." Yamazaki smiled. "But if you think she is wrong, I will take Miss Nakamura to other departments."
Omu Liuli smiled and said, "Forget about it. I will accept this person. It is better to have a teacher-student friendship than nothing. This is born with social skills. If I let her go and wait for her to emerge, the minister will definitely say that I am careful. ."
　　 Yamazaki smiled and said, "Okay, then I'll finish my work, and I will go back first." Then he told, "Don't demand anything about the screenwriter Kada."
　　 "Know that those scripts are things from the past, and people are the focus." Liu Li laughed, and then asked, "Right, do you want to send you a car?"
"No need to."……
　　 Later, due to contract issues, the screenwriter Kada did not get back his scripts. The copyright of those scripts belonged to the TV series "Detective Twilight". He could say that he wrote those scripts, but he could not use those scripts elsewhere.
　　 At the same time, the contract stated that the screenwriter of Tofu Koda could not publish the script of a modern detective drama within ten years, because the screenwriter was not to use the originality of "Detective Twilight" in advance.
　　 In addition, there are clauses in the contract regarding compensation for job-hopping, either with three months’ notice or three months’ salary.
　　 Fortunately, the salary of the screenwriter Kada Dufu is just ordinary, and it depends on the profit of the script, so he lost money and left.
　　 Kada Tofu screenwriter finally chose to become the screenwriter of the detective drama of the era, and cooperated with the female action star Yoshino Rimi introduced by Rice Flower TV, and soon became a famous screenwriter. ...