Chapter 464: Martial arts instructor

After all, Li Chuang has been doing this for many years, and he has more than one level of understanding in the circle than Wang Hao, so he began to introduce Wang Hao to
"This involves a lot of things, you can't just find one." Li Chuang shook his head, and said: "There are actually only a few genres of action guidance in China, but in short, there are only two types: one is The actual combat of martial arts is represented, and the second is that the Peking Opera school cuts in from performance. For example, the hero of the martial arts in the first two years of fire, the protagonist is a standard martial arts combat school, and the style is very distinctive. Every punch is a real force, the muscles are tight at all times, combined with a high-pitched and low-frequency sound, and their own characteristic roar. The movement of the lens is relatively single, and there is a sense of stage or ritual. , Appearance-Fight-Appearance again. The last thing is to make people feel painful and then feel true. In fact, putting Master Yuan here is more of a tribute, but there is no use for eggs... "
It turns out that there is still this kind of particularity?
Wang Hao thought for a while-so speaking of it, Bruce Lee in his previous life should be of this kind, right?
"The hard-liner is Zhang Jialiang, Master Zhang, he is the descendant of Hong Jiaquan," Li Chuang continued to explain to Wang Hao: "Hong Quan is famous for his fierceness, so you can see a lot in Liu's movies. The shadow of Hong Quan. Hong Quan's actions are very suitable for action scenes. Liu brought this kind of action into the movie, and his style has a man’s toughness, or a man’s romance. But there are very high requirements for actors, first of all actors with longer limbs, and secondly, the movements must be in place, because this kind of martial arts movement that requires a lot of stretching will be very ugly if it is not stretched enough."
"His action design is very real, each action is like a standard, but it is not smooth enough, but this is deliberately for it, when two people fight, it is especially like broadcasting ppt, whenever both sides touch each other. There is a small pause. The design of this kind of action has a great advantage in that it allows the audience to see clearly, strengthens the sense of reality, and makes you have a little expectation for the following actions. But Liu likes to intersperse some details Into the action, such as hooking feet, claw hands, etc."
This is closer to the grappling hands in martial arts movies.
But listening to Teacher Li Chuang's meaning, this person is obviously not very suitable.
"Really," Wang Hao nodded, "Our film is not suitable for this kind of punch-and-punch martial arts guidance."
"Yes," Li Chuang continued: "So this first type is not enough. Then the second type is to inherit the golden mean. There are two representatives of this type of martial arts instructor, Hong Bin and Li Long. This The style of the two is very difficult to say, so I was lazy and borrowed the term of the golden mean. Looking at their resumes, it seems that there is no form that they are not good at, but there is no overly good thing. The unsullen style may be the biggest style. . They can make martial arts the highlight of the film, he can also make martial arts wonderful without robbing the style of the literary drama, it seems that every martial arts film has their figure, but it is not like a flaming brand to rob you Eyeballs. They are the perfect barrels, and I can't find the shortest piece."
"If you want to talk about the biggest difference between the two, Hong Bin is good at group play. He is very outstanding in the arrangement of group play. It is not chaotic, messy and not dry. A large number of martial arts actors are in the same play. Able to intersperse and run in a very orderly manner, with vigor but no sense of chaos in the street fights of hooligans. Especially in a situation of more than one dozen, the arrangement of the sequence, the position of each person, the interspersion of the camera, and the consistency of the action Very interesting."
"Li Long puts more emphasis on solid and strong action combined with exaggeration and funny. He has won everyone's love and recognition with his down-to-earth expression. This humorous style makes people feel that they are skilled and painful. It has to be counseled. After the formation of this personal style, it has been formed throughout his entire film and television career and has become a distinctive personal brand and selling point. In addition, Li Long's martial arts like to replay the hit points of important shots, and have special effects. For example, the action of a blow is divided into three parts:
start hand
,
strike
and
after blow
. We call the starting hand part a, the strike part b, and the post strike part c. a, b, and c The two parts correspond to the three shots 1, 2, and 3. The normal director will play normally like 1-2-3, and what you see is abc. But Li Long no! He will take the blow of part b Come out and shoot again with camera 3. We call this part of the multi-shot as -3, and then put this part in front of 3 to play, so you will see four of 1, 2, -3, and 3. Although the part is lengthened a bit, but because the blow was played twice, visually you feel that this blow is more powerful than playing it once! Of course, this kind of special effect is definitely no problem with martial arts. For our martial arts, Still useless."
This is simply a small world in the martial arts world of heaven. Who would have thought that there is so much to say in the martial arts instructor?

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