Chapter 229: Slight


   The movie ended, Jiang Se sat in the theater for a while before he was relieved.
When they came out of the theater, the theater next door also ended. A large number of people came out from inside, still discussing the plot.
When "Rescue Operation" was released, the filming rate reached 32%. In the Imperial IMAX theater, the prime file strengthened the broadcast of "Rescue Operation".
After coming out of the theater, many people were still talking about the film, and most of them gave high praise to the film.
"There are very few anti-Japanese war films made such good-looking in China. When several characters in the plot died, I felt it was a pity."
The two girls walked side by side by Jiang Se, and never found that the man wearing a baseball cap and holding hands with her boyfriend was Jiang Se in the movie.
"One is the girl who would rather die than tell the whereabouts of Zhou Mingchong, but was killed by Ishida, and the other is Miss Eguchi."
"I think Miss Eguchi is very pitiful, but compared to the person killed by Ishida, I feel more impressed, but do you feel familiar with that face?"
Some people mentioned Liu Ye, who was very cute in the image and role in the film, and the actors who played the opposite role with Liu Ye. It was not until Jiang Se left the movie theater that he could not hear the comments from everyone behind him.
Xiang Qiuji proposed to sit in the Hajj Pavilion, during which Cheng Runing mentioned the previous movie:
"Feng Nan saw me too embarrassed."
He is already heartless enough, and can't help it now:
"What kind of stuff is acting? No wonder her old man will turn his face."
Generally speaking, if it weren't for Feng Nan playing one of the roles, it was very good overall.
In it, Zhou Mingchong's righteous act is not described in a long and cumbersome chapter, and the mutual rescue with Xu Lin, played by Liu Ye, is fastened to the theme of the movie.
Regarding Jiang Se’s personal feelings aside, Feng Nan’s role did perform the cruelty and ruthlessness of the Japanese invaders. Once the compatriots touched on each other’s interests, they were also merciless, but it was precisely because of her identity that made people feel somewhat Embarrassed.
No wonder Feng Zhongliang objected so fiercely this time.
She sat slantedly on the sofa, scanning the movie database with her phone.
In the database, the score for "Rescue Operation" has come out, and the praise rate has reached 85%. Because it is released simultaneously worldwide, and Zhang Jingan's reputation is there, there are many people who dress up, except for the praise. In addition to the rate, the movie's surprise rate to the audience has reached 93%, which is much higher than the movies released in the same period.
Xiang Qiuran also took the phone and shouted:
"Brother Yi, when you read "Time Review" online, even Shu Peien has spoken!"
"Time Review" is the most authoritative film review platform under the domestic official media "Time Style". The Shu Peien mentioned by Xiang Qiuran has the reputation of being the first film critic in China.
He has been selected as one of the two hundred best film critics in the world by authoritative American magazines, and he has gained a great reputation in China.
If it is said that commentary films are compared to an art, then the current domestic film critics are roughly divided into two types: pure art or practical art.
And Shu Payen belongs to the pure art type. He had served in the Ministry of Culture in his early years, and he was very knowledgeable. He commented on film quotations and was convincing.
But in recent years, due to physical reasons, he has rarely spoken again.
Even though there are his speeches in every issue of "Time Review", most of the time they are released from his previous speeches.
This time Zhang Jingan's "Rescue Action" shocked him. No matter how the box office of Zhang Jingan's movie is, the word-of-mouth will at least reach a high level.
In the official media of "Time Review", Shu Peien's article has been posted, and Jiang Se has also clicked in.
From the very beginning, he praised Zhang Jingan's new play: Zhang Jingan's "Rescue Operation" was shot to a very high standard.
From the establishment of China to the present, a large number of dramas with the theme of the War of Resistance have been derived every year. Whether film or television, I expected from the beginning to become insensitive.
Many ridiculous shots occurred frequently, and the Japanese bandits in China were wiped out in various ways, making domestic audiences feel complacent as they were trapped in a field, watching our army beat the enemy to the ground.
Under such circumstances, I would not watch many films with the theme of the War of Resistance.
At the beginning of "Rescue Operation", I posted a post. When I invited me to the premiere ceremony, I refused in my heart and didn't want to join in the fun.
But to my surprise, Zhang Jingan gave me a big surprise.
Since the Japanese invasion of China, the war of resistance in those years was a hatred in the hearts of the people. Today, this kind of hatred remains in the hearts of most people. When filming such subjects, few directors dared to innovate and shoot. Something different.
Zhang Jingan was different. He found another stream path, and with the initial shooting, he led the audience into a misunderstanding.
When watching the movie, the audience misunderstood that "Rescue Action" meant that Zhou Mingchong, the Japanese, rescued Xu Lin and others. However, it eventually led to Xu Lin's repayment to him, which was the real theme of the movie.
This passage has mixed feelings for me, and it reminds me of a sentence once said in "Zhuangzi", one drink and one peck, is it pre-determined.
First, Zhou Mingchong’s conscience is not yet cleared, and then Xu Lin’s graciousness report. Such rich emotions have far exceeded the love that has been performed countless times on the screen now~EbookFREE.me~The film story structure is complete. , The emotion is delicate and the theme is clear, but these are not the reasons why I want to write this film review. What really makes me impulsive is the few insignificant supporting roles in the movie.
When Ishida, played by Gao Rong, asked about Zhou Mingchong's whereabouts, I was very interested in the girl who played with Gao Rong.
When she appeared on the stage, there was no confession of the previous grace, no narration to explain the characters a lot, and there were not many lines. It was her body language and rich performance that enriched the image of the killed girl.
From the time she was tied back, her body trembled slightly, showing her fear of the environment at the time, but because of Ishida's threat, she was slow to surrender to him and was eventually killed.
This has to be complimented by Zhang Jingan's criteria for selecting candidates. A girl like a flower refused to bow her head to the enemy. The moment she died under the gun, I think most of the audience would sigh the same to me.
The unwilling ‘Bah’ that she said before her death showed her strong character.
Because of fear, her fearlessness at the time seemed rare and precious.
Because of the desire for life, she knew that she would die, but she was still generous in going to death. Only then did she appear immortal and noble.
The actors were restrained in acting, and were not full of passion, but after watching it, I was very excited.
  
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