Vol 4 Chapter 139: Magical romanticism

By mid-January, no one doubted the fact that Zhuo Yang had awakened anymore. His miraculous rebirth still occupied an important position in the media.
However, for the football world, he is already a ‘former player’ and a legend in the football world. Just as no one doubted that he was reborn, no one thought he would become a professional player again.
No one even thinks about this. After all, he was very lucky to be able to pick up his life. His tragic situation 14 months ago is still vivid in my eyes. It is a miracle to survive. It is a miracle to be able to walk for the rest of his life.
In the eyes of the world, Zhuo Yang will concentrate on the road of classical music piano master. Of course, this is on the premise that his brain and fingers are still qualified.
Zhuo Yang indeed recovered from the piano.
He was listening to Kou Kou playing the piano, playing the only "Crypt Imagination" that could be played continuously.
If only from the perspective of professional skills, Kou Kou's playing is undoubtedly jerky and clumsy, and his is not as proficient as some piano practitioners. Moreover, the simplified movement no longer has the feeling of fullness and richness, without foil and matching, it looks pale and blank, and it is too simple.
Piano can not only pursue dazzling skills, but also cannot completely abandon dazzling skills.
Kou Kou’s "Crypt Imagination" was replaced by any expert in the industry to listen to. It was a beginner who was reluctant to play a dull and feeble piece of music. If you bite the bullet and listen to it, it will make their ears depressed.
But Zhuo Yang was fascinated by it, and he was definitely not a lover.
Kou Kou's "Cryptography of the Code" is his ‘key’ from the dream world. What emerges before Zhuo Yang’s eyes is the endless sea of ​​fire that night, a bizarre psychedelic world, a magical experience of more than six hundred years.
Talking about music is a hooligan after leaving the mood.
Zhuo Yang is the only musician who can grasp the artistic conception of the simplified version of "The Code Imagination", and the only one who can understand it.
To Zhuo Yang, the simplification of the music is a kind of minimalism, and the associated empty space has just become the blank space in a Chinese painting. The emptiness of the music is actually infinitely mysterious.
A brand new music door slowly opened in front of Zhuo Yang.
From the creation of the "Princess Koko Suite" in 2008, to the "Unparalleled Under Heaven" in the Warsaw New Year's Concert "Encounter Chopin" on New Year's Day in 2009, Zhuo Yang began to form his own music creation style, which was later called "New Romance" in the industry Ism'.
By the 2011 grand piano epic "Grace Meredith" in Vienna, Zhuo Yang's style has actually been fully mature, and neo-romanticism has basically come to fruition.
From 2008 to 2011, it was the peak of Zhuo Yang's creation, and since then he has established his status as a piano master in the classical music world.
But since then, Zhuo Yang's creation has entered a relatively low point, and he has also begun to think more about music.
In other words, "Master" is not the end of Zhuo Yang's classical music. He still needs to be sublimated. He needs to touch the sky limit of the piano again and try to reach a height that his predecessors have not reached.
But just like his confusion in life, Zhuo Yang knew that he wanted to move forward in music, but he didn't know the direction.
But Kou Kou, who has only practiced piano for two months, gave Zhuo Yang inspiration with an empty "Cryptography", and his accumulation is more than six hundred years of fantasy experience.
Zhuo Yang's "New Romanticism", the musical style is extremely gorgeous and splendid, a large amount of integration of Bach's court and Liszt's enthusiasm, it is a tribute to Chopin.
From the point of view of music creation, neo-romanticism is extremely complicated. What Zhuo Yang needs to do now is to extract the complexity of neo-romanticism and use the essence of musical language to describe more exciting movements.
To use football to describe it is like evolving the Madibao Zhuoyang full of showy performances into the efficient and practical Real Madrid Zhuoyang.
To describe it in martial arts, it's like Ruda fusing all eighteen weapons into the black iron epee, and evolving into a swordless Dugu seek defeat.
Music, like football, martial arts, and literature, requires experience and life. Without precipitation and immersive experience, it is impossible to achieve excellent results out of thin air. Looking at the world today, who has Zhuo Yang more experience, who can have more life experience than him, and who can have more immersive fantasy experiences than him.
Who has a bigger world view and a heavier historical view than him?
Zhuo Yang was not willing to remove Kou Kou from the piano bench, but let her sit in his arms, and in this way, in an ambiguous posture, he personally played the extremely simplified "Cryptography".
According to conscience, he is not as good as Kou Kou.
The fist does not leave the hand song and the mouth does not leave the mouth. Even if the things in Zhuo Yang's mind can explode, after all, he has not touched the piano for 14 months, and even has not practiced for more than 600 years. I have everything in my heart, in fact, my fingers are not as good as Kou Kou's orders.
Artists are all very personal. They are so awkward and not annoyed to smash the piano to relieve their anger by changing to another piano master, but Zhuo Yang is not a bit embarrassed, just casually playing with Kou Kou's four hands on the keys. .
Kou Kou is purely playing. In fact, she does not have a talent for music, especially for playing an instrument. This seems not difficult to understand, Zhuo Yang didn't understand music and Cuju in his dreams.
Under the guidance of the dark, she drove the duck to the shelves and practiced a "Cryptography of the Code", which became the key to bring Zhuo Yang home and fulfilled her fateful mission, and wanted her to continue her studies in the piano field. Without motivation, there is no inherent condition.
Even changing the piano back to Riyueqin won't work.
The four-handed combo quickly became infamous. Kou Kou changed his posture, and sat face to face in Zhuo Yang's arms, hugging his waist. Zhuo Yang played on the keyboard, she used her hands to squeeze his back randomly, each playing his own.
The piano room is full of poor piano sound and strong romance.
Surrealism and anti-logical thinking; absurd dreams and heavy history;
Reinforced concrete jungles and lonely closed mountain huts;
Men, women, beasts, demons, gods and monsters;
Reality and illusion, legend and interpretation;
The sci-fi movies that I went to watch with my mother in childhood, the sonnets that I still remember when I grow old;
Water and Fire~EbookFREE.me~ Mammoth elephants on the ice and snow and scrambled eggs with leeks without oil;
Loneliness and betrayal, longing and formalin;
The fictitious Bu Zhoushan in "Shan Hai Jing", the real evil and the poison in the martial arts literature;
Surreal in dreams and unreality in myths;
The dead alive, those who are still alive after death, statues in the temple;
The butterfly in the dream last night, just removed the armor, and has not yet washed away the blood after the killing.
...
It started with an unscrupulous playing, from a modified "Crypt Imagination", from the absurd four-handed combination of Kou Kou's pity that his newly resurrected body only allowed kissing and he was obedient to her.
From this evening, in the epic of classical piano music, exclusively dedicated to Zhuo Yang, great and magnificent as creation, the magical romantic style was born.