Chapter 241: Adding drama to the sacrifice-drums

? Wu is consulting Han Cheng about how to sacrifice this time.
In the past, Wu never asked others about this, even if Han Cheng was a son.
But things are different now, because the totem pole has been transferred from the inner cave to the house under Han Cheng's pledge, and the environment is different from before, so Wu is a little uncertain.
After some conversation, Han Cheng figured out the meaning of Wu.
He wanted to move the totem pole back to the inner cave again, and still perform sacrifices in the cave, and wait until the sacrifice is completed, then return the totem pole to the house.
Because the place in the room is too small, it is not a suitable place for worship.
But he had never done this before. He was worried that moving the totem pole back and forth would collide with the gods, so he couldn't make up his mind.
If Han Cheng is a true son of God, he might think about it carefully, but he is just a traverser wearing the skin of a son of God, and he is naturally fearless, how convenient is it.
After getting a positive answer from Han Cheng, Wu suddenly became energetic.
He asked people to clear the cave while preparing to let people move the totem pole away, but was stopped by Han Cheng.
Han Cheng told Wu that the totem pole could not be moved so easily, it needed to be coordinated with other things.
This kind of situation has never been experienced by the witch before, and the previous witch has not left a solution for related matters. Therefore, it is only Han who obeyed.
At the same time, I was also curious about what the son said and needed to cooperate.
What Han Cheng said is a very common thing in later generations, namely drums.
Adding drama to the totem pole was actually what Han Cheng temporarily remembered.
As soon as the heavy snow fell, people’s actions were restricted, and there was not much to do. Second, he felt that the Qingque tribe’s sacrifice still lacked a sense of ritual, so he wanted to do something, so it was logical to talk about the drum. Came out.
After saying it, Han Chengcheng regretted it, because of the lack of tools and materials, it was extremely difficult to make a drum at this time.
Even if you don’t use wood for the drum body, it’s not possible to use pottery instead, because the mud embryo is easily damaged by freezing and there is no way to burn it.
Han Cheng thought for a while and found that there was no good solution. He couldn't help but sniffed, smiled bitterly and scolded himself for being troublesome. He could easily deal with the things in the past, but now it's better. He lifted a rock and hit him in the foot. ...
Han Cheng walked slowly with his hands on his back, the cloak made of old sheepskin drooping, slowly moving as he walked.
On his slightly tight face, his eyes turned from time to time, and he swept to the sides, with caution in his eyes.
There is a lot of tolerance for the emperor to scrutinize his courtiers or big figures who preside over the court draft.
Of course, the premise is to replace the large and small pottery jars, pots, pots, etc., placed on the left and right sides into courtiers, or to be a cautious and beautiful woman...
Han Cheng's footsteps stopped, and his eyes fell on a small tank.
The cylinder has a height of 70 cm, and the diameter of the mouth is about 30 cm. The middle is thicker and the ends are thin.
"That's it."
Han Cheng said to Wu and Heiwa who were following him.
Heiwa stepped forward and took out the jar.
Then in accordance with Han Cheng's instructions, he buckled the cylinder upside down, and rubbed a relatively thin and rough stone back and forth along the bottom of the cylinder.
After rubbing for a long time, there is a line that is not deep.
This is a very tiring task. Han Chengcheng made people call Mumu to take over the work of Heiwa.
He is better at polishing stone tools.
You guessed it right, Han Cheng is going to use this tank as a drum, but the premise is that the bottom of the small tank needs to be removed.
When wood was dealing with the small tank, Han Cheng went to the pile of tanned fur stored in the Qingque tribe to search for things.
It took a while to find a piece of skin that was not very hairy.
Then let the lame find a wooden stick, put the leather on a flat piece of wood, and beat it to make the leather softer.
Then let him use a carefully crafted stone knife to scrape the leather over and over again, to scrape off the remaining hair, and also to shave the thick areas thinner. This is an extremely time-consuming task.
The bottom of the small tank was not taken down until the next day. The wood was very good. The bottom of the tank was clean and the tank was not damaged.
Han Cheng was on the wall of the small cylinder again, near the two ends of the small cylinder, and made two circles of dots.
Then let Heiwa take over the wood and use relatively sharp stones to carefully drill holes at these points. Be careful not to damage the tank.
These things were not completely resolved until three days later.
The skin that has been carefully polished by lameness and still has a big gap with the later generations was split in two from the middle. Holes were pierced with bone needles around the skin. At this time, a thin rope was tied to these holes. .
Han Cheng put the leather on the mouth of the small tank, passed the rope through the hole that had been drilled, and tied it tightly.
He just made a demonstration of this, and it was done by two people, Lame.
The main reason is that stretching the drumhead requires a lot of strength and skill, otherwise the stretched drumhead will be loose and the drum sound will not be loud.
Han Cheng is no stranger to such things as drums, gongs, cymbals, and cymbals. Many of their villages have a set of such things. When the new year is approaching, these bronze wares will be moved out and beaten.
These bronze wares are matched with dragon dance, lion dance, spider dance, etc. It's a pity that Murakami's dragon has already been broken...
Of course, these are the scenes almost 20 years ago. As people continue to go out to earn a living and the pace of life becomes faster and faster, these things are rarely touched anymore. They have always been in a family in Murakami. The house is dusty...
In order to achieve better results, after the drumhead was stretched, Han Cheng took someone out to a place not far from the Qingque tribe to get some pine resin back. After it was heated and melted in a small clay pot, it was picked with a small branch. To plug the holes through the rope one by one, and seal the edge of the leather attached to the cylinder wall.
After doing this, a drum is completely completed.
Han Cheng tapped on it with his fingers, making a muffled sound. It was not as good as the barrel drum of later generations, but Han Cheng was very satisfied with being able to make such a bulge under such conditions.
Han Cheng didn't let anyone beat the drum indiscriminately.
Because of his words and also knowing that it was for later sacrifices to the gods, everyone was curious and in awe of the new drums, including the few people who participated in the production.
After the drum was finished, Han Cheng directed to cut out two other wooden sticks about three centimeters in diameter and thirty centimeters long. ~EbookFREE.me~ One end of the stick was wrapped around with leftovers from the drum. , Two drumsticks appeared.
The only thing Han Cheng regrets is that there is no red cloth or red fuel, otherwise the two drumsticks will be more festive and more sensational.
After the drumsticks were finished, they cut off the wood and used the binding method to create a drum stand. At this point, only one set of things was completed.
The people of the Qingque tribe have never looked forward to a sacrifice like this time.
They desperately want to know what the effects of the exquisite things that the gods spend so much effort to make, and how to use them in the sacrifice.
Even Wu, an old stick, couldn't restrain the excitement and expectation in his heart.
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