Chapter 125:
-
King of Classical Music
- Mo Chen Huan
- 1589 characters
- 2021-02-03 02:16:32
The spacious and towering concert hall stage was illuminated by seven or eight bright spotlights. On such a dazzling stage, a handsome and beautiful young man was putting a small and delicate imitation Sirius on his shoulder, but he did not Playing the piano, instead, turned to look at the direction of the grand piano.
The piano provided by the National Conservatory of Music in Paris is a nine-footed Besson Dove grand piano. Such a behemoth is arrogant and arrogant across the middle and rear of the stage. It takes almost three or four middle-aged men to move.
Therefore, when the students of other faculties perform, the piano is quietly placed there, and will only be removed by the staff until the evaluation is over.
The sound of the wide concert hall is so quiet that even a needle can be heard. Everyone was wide-eyed and looked at the man sitting behind the piano in astonishment, as if he couldn't believe who he saw.
For 戚暮, it’s not
surprise
can describe it, but –
Shocked.
He was seriously prepared to play the previous second, but the next second, he turned his head and saw the man who should have been thousands of miles away!
It didn't take long for the horror time. I saw the right index finger on the right hand, gently placed it in front of my nose, and then pointed to the young man who was stunned.
Such a simple movement made it clear that in the silence of the audience, the two men looked at each other and then turned their heads decisively, the next moment -
The soft, melodious sound of the piano pours out of the hole.
The sound of the violin is like a warm spring water, which dispels the bleakness in the autumn and spreads a beautiful picture of the spring. The sound of the piano is light and soft, and the beat of every note is extremely relaxed, as if there are elves dancing on the strings.
Accompanied by it is the gentle echo of the piano.
Beethoven’s "Spring Sonata" is a piano and violin ensemble. At the beginning of the practice, I only prepared the first movement and the fourth movement. One was a brisk allegro, the other was a melodious revolving, and the beautiful violin sounded double in a quiet concert hall. Reverberate.
This is a low-pitched whisper of a piano and a violin. The two respond gently to each other's voice, like a close friend, like a couple, full of passionate upgrades and enthusiasm, to spread the breath of spring to the audience. Let everyone feel the warmth of the spring breeze.
On the stage, the slender fingers of the young white stork are illuminated by lights. The light was so glaring that the people under the stage couldn't see the movements of the fingers, only the sound of the water was constantly ringing.
Behind the shackles, the sly movements were completely blocked by the huge body of the piano. He looked at the movements between his fingers calmly and looked up from time to time to look at the young people not far away. The eyes were soft and tolerant, and were blocked by the black piano keyboard, which made it impossible for the general audience to see.
The violin suddenly whispered, and the piano returned with a low voice; the violin suddenly danced with excitement, and the piano followed its steps and cheerfully played music.
Someone once commented on Beethoven’s "Spring Sonata": "This song is not too difficult and has no obscure feelings, but if you want the sound of the violin to blend perfectly with the piano, then This performance... must have been rehearsed for a long time."
Nowadays, the audience in the audience thinks so.
They admired such a beautiful and euphemistic performance, praised the sound of the piano, and some even emerged from the green of spring. Although I didn’t say it, many people’s hearts have long thought of it.
"This "Spring Sonata" must have been rehearsed for a long time? 』
Any piece of music, as long as there are more than two people playing, it must be rehearsed in advance. Even if the rhythm and the melody are exactly the same, the two sides of the ensemble cannot guarantee whether they can integrate with the other's music before the prior rehearsal.
For example, at this time, the violin should be lighter, let the piano sing a low-pitched melody; and at that time, the violin should be rushed, let the piano hurry to catch up.
Did you reach such a top level without prior rehearsal?
Speaking out, even Deland will not believe it!
But... Only you know what you know, such a nearly perfect Spring Sonata is the first ensemble between them.
However, it seems that I have played together hundreds of times in general. When I suddenly press a chord, I immediately speed up my own speed, and when I suddenly use the adapted jumping bow to interpret a paragraph. In the case of syllables, the tacit correspondence corresponds to the portamento.
Obviously this song has been tampered with a few small parts, but even if there is such a change in the middle, the man can take it very comfortably, and on the basis of the original improvement, the violin is more prominent. Beautiful tone.
When the whole song went to the last paragraph and the sound, the people under the field had already been agitated by the sound of the piano singing each other, and after the end of the whole song, when the first "bravo" appeared, there was never a warm applause. It sounds.
At this time, in a thunderous applause, someone was finally awake--
"Just... I seem to have heard the sound of the spring stream!"
"I didn't expect it to be "Spring", it really made me see a beautiful spring!"
"This piece has completely played the level above the college. Even if it is put into a world-class symphony orchestra, there is no problem at all?!"
......
Of course, there are also people who have a different focus from these purely admired audiences -
"Is this ensemble played by Mr. Bertram?"
"It's a great honor. It's an ensemble... How do I feel that the violin of this violin is even more faint than the piano? It's the protagonist of this song!"
"Mr. Bertram seems to have deliberately used the style of the accompaniment, but I did not expect that there is such a young student who can have the momentum of playing with Mr. Bertram!"
"Is this a gas field...?"
......
Generally speaking, these words are members of major orchestras of the world. They deliberately came to the evaluation site of the National Conservatory of Music in Paris today to discover the seedlings, to store them in their orchestra, and to deliver fresh blood.
Many people thought about whether they would invite him to enter their orchestra before they started playing, but when they saw that the man suddenly appeared in the piano and even played a song with the young man, "Spring", they suddenly realized
"It turned out that it was already taken over by Bai Ai? What are we still robbing!"
Of course, is there really no one wanting to grab it again?
Under the circumstance that "the chief commander of Bai Ai stood on the stage and looked indifferently at the audience", Mr. Hook, the chief violinist of the New York Philharmonic Orchestra, "gave the sky" to deliver the olives to the youth on the stage.
What is rare is...
I haven’t refused! ! !
The young man looked at the old man with a big beard under the stage, and he felt funny and felt helpless. If he refused, he did not say anything, but this does not mean that he really wants to accept the invitation of New Zealand. However, he did not think that New Zealand’s sent this time was actually the violin chief Mr. Hook, which hindered the human condition. Face is in, he is not good to refuse directly.
After the invitation of the major orchestras, it was the scoring stage of the ten judges.
The evaluation of the entire National Conservatory of Music in Paris does not stipulate that each student must perform alone, just like the previous Lanster and Aina, they are two ensembles, each getting their own score.
Of course, it’s not unreasonable to ask people outside the college to accompany themselves, but there are really no ones... invited to such a presence.
At the time of scoring, more than half of the ten judges met with him, and one or two even his fans. However, this does not add points, and even the judges have harshly commented: "Your accompaniment is too strong, I think... Hey, you need to have the ability to control the accompaniment. This strength is very Rarely, I am very sorry... In the previous performance, you really controlled the sound of my favorite Mr. Bertram."
As he said, the pianist was still saddened by the floor and gave a score: "I am very angry. My impulsive brain makes me want to tell you: 'I prefer your accompaniment!', but... ...My reason tells me, I have to give you a perfect score."
In such a cries of laughter, he won the first perfect score.
Then the second, third, fourth...
Ninth.
Until the last main judge.
"Your accompaniment is very good, you are also very good. I like Auston's piano very much like Lazoni, but I am not as naive and affectionate as he is." Lazoni is a pianist who has just been saddened, and this The main judge was an excellent trumpeter. He smiled and looked at him. He said, "I am different from Lazoni. I think... your score should be worthy of your strength. Auston Bertley Real