Vol 2 Chapter 806: The person most trusted by Captain America

Without too much publicity, the filming started quietly at Warner Studios. Duke first filmed the scenes of Black Widow Natasha Normanoff and Captain America Steve Rogers.
In "Captain America", it was only explained that Steve Rogers was rescued from the ice by Natasha Normanoff and Agents Colson and returned to modern society. Captain America is right to defend justice, but he Not a fool, even with Natasha Normanoff, a former comrade in arms, wanting him to work for an organization that suddenly jumped out is not so easy.
With the exception of Natasha Normanoff, SHIELD must win the trust of Captain America.
In the first shot of the boot, Duke shot related scenes.
The studio was arranged like a ward, Scarlett Johansson and Chris Evans walked to the door of the ward, and the camera controlled by John Schwartzman quietly followed from the slide.
"The last time I met I was a Soviet, but now I am an American agent..."
In Duke’s director’s monitor, Scarlett knocked on the door, twisted the doorknob, and said to Chris Evans, "Steve, you don’t say it, but I know you’re right. I have doubts. I will show you a man, one of the founders of SHIELD, our old friend."
After that, she opened the door and walked in. Chris Evans, who was puzzled, followed in.
"Cut! This one is over."
I have tried shooting twice before, and the first shot passed smoothly. Duke shouted at the shooting location, "Reset the scene and start shooting in 15 minutes."
The ward is a scene that has already been set up. After adjusting the camera and lighting, another actor, Hayley Atwell, also joined the shooting, but unlike the stunning look in Captain America, she obviously changed the old Makeup.
To convince Steve Rogers of S.H.I.E.L.D., there is no better candidate than Peggy Carter.
And Captain America has always owed Peggy Carter a dance, allowing the two to reunite after seventy years. It will also add some highlights.
It took two full days for Duke to complete the reunion of Steve Rogers and Peggy Carter, and then the crew moved to the Hughes Aircraft Factory and started shooting in the studio here.
The huge studio was arranged into a messy workshop. Several cameras are cleverly distributed in the venue, and they are busy recording every picture ahead without interfering with each other. The photographer driving the Steadicam equipment hides on the other side and takes some close-up shots at any time.
The shooting is not coherent. The longest shot is only about ten seconds, and the Scarlett Johansson and her two stunt doubles will be rotated from time to time.
Scarlett is only responsible for showing off her face and figure in front of the camera, and almost all other difficult fighting scenes are done by a substitute.
After post-montage processing, these shots will have no problems.
Of course, it is not difficult to distinguish between them. Those black widows are not facing the camera and their faces covered by hair. They are basically done by stuntmen.
To be precise, there are but not many shots that require Scarlett's hands.
"A lot of CG images have already produced prototypes."
Wait for the shooting to stop. Kevin Fitch approached Duke and introduced him to the special effects progress of the film. "The location crew led by Anna Prinz also set off. In addition, the California State Government is very happy that the crew can stay in Los Angeles for shooting. A 9% tax rebate is offered."
Like many states in the United States, in order to reverse the continuous outflow of Hollywood crews, California has also begun to adjust its film industry policies. Not only are there relevant subsidies to apply for, but large investment films can also receive a certain amount of tax refund policies.
After a few simple words with Kevin Fitch, Duke asked him to find Charles Rowan. Some of the chores are enough for them to handle, and he will focus more on shooting.
Today, I mainly filmed the drama of Black Widow Natasha Normanoff. After finishing the filming of the complicated fighting drama, Scarlett had a more relaxed literary drama.
She is wearing black stockings and a tight skirt of the same color. Carrying high heels in one hand and the mobile phone provided by the sponsor in the other, walking towards the'outside', the big microphone for live recording landed near her head from the air.
"Yes, Steve Rogers doesn't trust you! Because you have launched several wars that shouldn't have happened, which is inconsistent with his philosophy."
Her words are obviously related to calling the Avengers. "Phil, you and Nick Fury should know that Captain America is loyal to this country, not a certain government or organization, even if the founder of this organization is Peggy Carter!"
"That billionaire doesn't trust me." She continued to walk away. "Phil, you can deal with the big money and the big guy. Steve will leave it to me. I will take him to see Peggy Carter."
"CUT!"
Dukeden, who was sitting behind the director's camera, called a stop, and then notified, "Transition to Studio 3 and inform Chris to prepare."
This is the movie shooting. It took more than ten days to set up the venue. It only took less than a day to declare the birthday and return to life. The shooting process is completely a process of burning money.
In the makeup trailer, except for the routine makeup, in order to make his look more in line with the role of Steve Rogers, the action steering team also came over and put a thick bandage on Chris Evans’ hands. .
He got out of the makeup trailer and turned into a studio a few sizes next to it. This has been set up as an old-fashioned training ground. It is the venue where Steve Rogers has been training every day since he woke up from the freezing state.
With a full understanding of everything that happened after World War II, what the US government did did not conform to his ideas, and even in some ways became the person he had vowed to eliminate, even if it was the S.H.I.E.L.D. who saved him. History Steve Rogers also doesn't have much sense of trust. Relatively speaking, Natasha Normanoff, who once stood side by side and experienced the test of life and death, is one of the few people he can partially believe.
The scene here is not too difficult for today's Chris Evans, but after listening to the director Duke briefly talk about the position and a few small issues to pay attention to, he stood in front of the sandbag.
"The twelfth scene, the first act, now begins!"
After the on-site note sounded, Chris Evans banged the sandbag hanging in front of him like a professional boxer. This was not a false hit, but a real hit, even if it was wrapped in bandages. , He felt the pain faintly.
After filming a few scenes of punching sandbags, the crew replaced them with another hollow sandbag. After Chris Evans punched the fake and shoddy product a few times, he hit the sandbag with a straight punch, on the other side. His ejection device was activated at the same time, and the sandbag was blown out by him like fallen leaves blown by the wind.
"OK!"
These shots look ordinary and ordinary, and they must be post-processed to turn them into excellent film images.
In the loudspeaker, Duke's voice rang again, "Where is Scarlett Johansson?"
Next, it's the turn of Black Widow and Captain America.
"Why do I always think that Marvel's screenwriter..."
Walking to the director's chair, seeing the staff still busy sorting out the lighting and props, Scarlett whispered to Duke, "Do you want to pair Black Widow and Captain America?"
"Because the audience likes to watch the interaction between superheroes." Duke said without looking up, "especially two ninety-year-old superheroes, one man and one woman."
"But don't you think it's weird for two ninety-year-olds to fall in love?" Scarlett was obviously using chat to relax.
Duke directly used the lines of the Black Widow, "So love is a kid’s trick. Steve Rogers and Natasha Normanoff are more of a mixture of comrades-in-arms, colleagues, and life and death. Complex feelings together."
He looked at the work progress of the crew and said, "You should prepare."
Scarlett nodded and walked to the camera lens.
After Duke made the call to start, Chris Evans dragged a sandbag from the ground and hung it in the air, banging it again, and suddenly a clear woman's voice came from the other side. .
"Steve, are you insomnia again?"
Chris Evans stopped and looked at the doorway, Scarlett Johansson was standing there.
"It's been a long time, Cortana." Chris Evans hit the sandbag again, "I have slept for seventy years, and I have slept enough."
"Then go out and take a look at this colorful world." Scarlett walked over unhurriedly, "It might feel better to find a chick."
Turning his head and looking at Scarlett, Chris Evans stopped, unwrapped the bandage on his hand, and walked to the other side, "When I fell into the water, the world was still at war, but we were doing justice at that time. Fighting. I woke up and people told me that we won, but what I saw was that we lost more."
"This country has made a lot of mistakes over the years." Scarlett walked directly across from him, "I have made some recently."
"Need me?" Chris Evans asked.
"You need to save the world." Scarlett handed over a document she was holding. "A very serious incident."
"This is Hydra's secret weapon." After just one glance, Chris Evans said, "Is it still there?"
"Remember Howard? Stark?"
After Chris Evans nodded, Scarlett continued, "This was picked up from the seabed when Howard was looking for you. It has now been stolen..."
"It shouldn't be fished up!"
Picking up his bag, Chris Evans walked towards the door, Scarlett followed, "Steve, I will take you to meet someone tomorrow."
Chris Evans stopped, after thinking for a while, said, "Come and pick me up tomorrow morning, don't be too late."
"OK!"
When Chris Evans walked out of the iron door of the fitness room, Duke's voice rang through the loudspeaker, "This one is over!" (~^~)
PS: Ask for monthly and recommended tickets!