Chapter 526: Transfiguration

"Brother Joan, did you just perform the "magic rope technique"? I have heard people talk about it, but I have seen it with my own eyes and know that this spell is more magical than the legend!"
Casio grabbed the rope excitedly and climbed up quickly.
Shrek looked up and sent Casio to the end of the rope. His chubby face was full of surprise.
At this time, a hissing sound came behind him, making him refreshed, realizing that he and Joan's mount were still tied to the stump near the camp.
Shrek hurried to the horse-hiding tree, picked up a horse, held it high, and shouted to Joan: "Little Master, what should we do with our horse, or should we bring it?"
Joan turned around and saw that the fat man was like grabbing a pet dog. He easily lifted the horse and the full set of saddles, and the horse he lifted into the air was scared and frightened, struggling.
This scene was both funny and shocking, making him speechless for a moment.
Casio heard the horse hissing and came out of the half-plane window probe, waving at Shrek repeatedly.
"My great king! Can decent people sleep in the same room as the animals? That's not a stable!"
"Just leave those two poor horses, anyway, the horses are used to standing and sleeping, half-open eyes, very alert, in case there is any wind and grass, the horses will wake up in time, sizzle, remind us to pay attention ."
"Oh! That's right!"
The brave ogre king, lowered his arms, put the frightened horse back to his place, stroked the horse's mane, and calmed the animal. After returning to Joan, he grasped the rope with both hands, twisted his full buttocks, and climbed up with difficulty.
Joan carefully inspected the camp and confirmed that there were no important items left to recite the spell to extinguish the campfire, picked up the "campfire rosary", climbed along the rope into the half plane created by "magic rope", and finally put the rope in Half plane, leaving no trace.
Since leaving Leiden Port a month ago, Joan traveled alone and traveled north. Every night, he always used "Magic Rope Technique" to create a secret, safe and unaffected campsite for himself. often.
Clark, Shrek, and Casio entered the "half plane" for the first time. They felt fresh and interesting everywhere, and were so excited that they couldn't sleep.
Joan did not participate in their chat, and took the portable folding table and chair from the storage bag, placed it in front of the invisible window, sat at the table, and made a "lighting technique" to light the candlestick and spread it under the candlelight. Open that thick, hard-spell spellbook and start your regular homework every night.
Joan has mastered the spells transcribed in the book, and he listened to Clark and chatted with them while reviewing.
"Ogre" and "Higher Ogre" are actually a subspecies of the giants. When Shrek and Casio chat with Clark, they mainly use the human lingua franca, and occasionally they will pop out a few giants. Family word.
Joan has always been interested in linguistics. He knows that mastering a language is a
ladder
to understand the inheritance of its corresponding ethnic civilization. Therefore, in daily life, he always pays attention to finding opportunities to learn foreign languages.
In addition to his mother tongue, Joan can also use "elven language (Qunya)", "fairy language (Mu language)" and "dwarf language".
"Dragon language" and "giant language", daily conversations are barely able to cope, but they are not proficient.
Among them, the giant language, he first learned from Gray, but unfortunately the gray beast brain is not very bright, and only speaks a few simple giant language.
Now the three companions around Joan are all from the Giant race, and of course they are proficient in their native language. Rarely have such a good learning opportunity, Joan will naturally not miss it. Whenever he hears a giant word in a giant language, he puts down the book and asks Clark three people in an open mind, keeping in mind.
Joan studied the spell while studying the Giant's language, and finished his homework tonight within half an hour. Suddenly thinking of the magic potion Shrek gave him, he took it out and analyzed it.
Earlier I heard that Casio said that the potion can temporarily give the user the power of a foodie demon. Joan was guessing what the principle of the potion is. The results of the analysis revealed the mystery and also brought him a small surprise .
It turns out that the witch Fiona has injected 4 rings of "transfiguration" into this bottle of potion. No wonder it can increase the power attribute of the user to the level of the ogre!
The 4th Ring Transfiguration is a comprehensive upgrade of the 2nd Ring Transfiguration. The enhancements are mainly reflected in three aspects.
First of all, "Morph" can usually only bless the caster itself, "Morph" can be applied to other voluntary creatures.
Secondly, if the caster does not possess any special lineage, the "Morph" can only become a "humanoid creature".
"Transfiguration" has made significant improvements in this regard. The types of creatures that can be changed are no longer limited to humanoid creatures, but also include strange monsters, animals, dragons, goblins, giants, magic beasts, humanoid monsters, mud monsters, Plants and insects...Basically, all living species common in the main material world can be changed!
It is conceivable that the magic power required to become a dwarf and become a dragon is not at the same level.
The reason why the 4th ring
transformation
compared with the 2nd ring
transformation
has been turned upside down is because the upper limit of the magic energy level of the 4th ring spell position is much higher than that of the 2nd ring spell position. The energy level means that "transformation" can play more tricks.
Compared with "Morph", the third advantage of "Morph" is that the changed creatures are no longer just similar in appearance, and the physiological structure and biological race have also undergone radical changes.
For example, Joan often uses the "transformation technique" to become an eagle, but his physical attributes are the same before and after the transformation, and the race is still "human", not "eagle"-the real eagle is not difficult Identify the subtle differences between the two.
If Joan uses "transformation" to become an eagle, the appearance looks the same as the "transformation", but the inner is completely different. His three physical attributes of strength, agility and physique will also become the eagle. Average.
In the deformed state, Joanne is no longer a human teenager, but the authentic Eagle people.
Even more frightening is that in this state of transformation, there is no even reproductive isolation between him and the real Yodenheim Hawks...
It is precisely because the "transfiguration" is so powerful, the potion attached to this spell can give the user the power comparable to the food devil.
In fact, Fiona's raw material for refining pharmaceutical water, Ogre Plasma, is the casting material used to perform "transfiguration".
In the "casting material" link, the 4th ring "transformation" completely inherited the characteristics of the 2nd ring "transformation".
If the caster wants to become a creature, he must prepare a part of the body tissue of the creature as the material for the spell, and there is no strict limit on which part of the body.
If you have to make pharmaceuticals, you don’t have to use blood. Biological hair, skin, nails, etc. can all be used to perform "transfiguration."
ps: This book's 4th ring "transformation", using the dnd3r rule.
This version of "Morph" is really too strong. It has its own system and available transformation resources. It almost contains a full set of "Monster Book". The way of application depends entirely on the imagination of the player. If it is not restricted, it will often make the whole The game quickly crashed.
Later, the PF and dnd5E rules have made inhumane weakening of the deforming technique, which has become more reasonable, but it has also become less interesting.
After all, the novel is different from the game, and the criteria for balance are also different. In addition, the author's personal preferences, in the end, chose this strongest version of Transfiguration, not only because it is stronger, but more importantly, it is more interesting.
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