Chapter 64: Three knocking bricks (2)

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"This era of rapid collapse of faith.
We used to admire great men, martyrs, scientists, labor models ... We used to think that the world is like this, but when the reform and opening up came, in just a few years, every human body experienced the impact and confusion of social change. "
Dai Linfeng took a sip of tea and was directly attracted to this opening.
"Before that, our mainstream culture was all grand, with various works with revolutionary narrative as the main body.
There are obvious political boundaries between people and values, those who support the revolution, those who oppose the revolution, and those who do not support or oppose ... Almost all film and television works can be summarized in these three categories.
But "Shanghai" is difficult to define with a revolutionary or non-revolutionary concept.
Its story theme and structure are gangsters, violence, brotherly love, and love for children.
Its characters are three-dimensional and full-bodied, we allow Wen Qiang to form, often think he is a good person, but at the same time can not deny that he is actually a rogue leader.
This is where "Shanghai Bund" succeeds. There are no absolute good people or absolute bad people in the world. Human nature is complex and life is real.
Our previous film and television works have infinitely converged on one attribute—politicality, so as to erase its two inherent attributes: artistic and commercial.
Some old magicians are criticizing this TV series, saying that the characters and social environment are not real magic capitals, and the interpretation is not "Shanghai Beach", but "Hong Kong Beach".
Indeed, "Shanghai Bund" does not meet the history, but it meets the needs of popular culture.
This is actually a brand new model of TV series, challenging our traditional concept, and is a cultural output ... "
Dai Linfeng took off the reading glasses, wiped them carefully and put them on again, and drew a line on these two sentences with a pen.
"Before the big movement, our creative ability was very strong. After the reform and opening up, our original ability seemed to disappear, and we would only shoot classics and novels.
Although at the artistic level, it upholds the concept of promoting Chinese culture, but these masterpieces and novels definitely do not meet the growing spiritual needs of the masses.
The current audience is no longer satisfied with the great narrative of the revolutionary narrative, and wants to see works that are more diverse, closer to life, or more in line with spiritual fantasy. "
"Old wear!"
"Old wear!"
When his wife saw that he had entered the study, he didn't come out. He couldn't help but shouted a few times, but he shouldn't, so he opened the door and saw the old man sitting on the chair, holding the copy paper motionless.
"Look what, so dedicated ..."
The wife muttered, closing the door lightly.
"Cultural output must first have strong business value and cognitive commonality.
For example, "Huo Yuanjia" in previous years and "Shanghai Beach" this year, first of all, audiences should like it, especially teenagers. Secondly, the two places share the same roots and there is no cognitive difference. "
Dai Linfeng is like reviewing internal references and reports. He keeps annotating with a pen and sees this paragraph. He ca n’t help but write: "" Garyson Death Squad "and" Blood Doubt "are foreign works. What solution? "
After finishing his thoughts, he crossed out this sentence and wrote again: "The Garrison Death Squad is about war and growth, and" Blood Doubt "is about disease and family ethics. The extreme desire for new things is included. "
Then look down.
"Youth is not deeply rooted and easy to accept new things. When they regard a work as a part of life, it is easy to take root in the soil and form a true cultural gene."
Dai Linfeng frowned, not understanding, after all, there are limitations of the times.
It's actually very simple. Do you understand Marvel Dafa? Don't emphasize what "I don't like Marvel" "I never watch Marvel movies".
There was also a group of people shouting that Marbella could not poison the young Barabara.
This kind of argument is particularly boring, because it's not enough to say that it is a domestic movie. If there are "Red Sea Action" and "Wandering Earth" every year, the Chinese film industry is getting better and better, and its own strength is strong.
"Commercial concepts are difficult to express, and are briefly summarized as two points: popularization and entertainment.
We have not been an economic society for a long time. In 1979, Modu TV station broadcast an advertisement for Shengui Bujiu, and only then announced the birth of the first TV commercial in China.
Our works are more about promoting and criticizing social phenomena and showing the people's living conditions. There is no so-called popularization and entertainment at all.
However, with the economic development, the material is rich, and the film and television dramas with natural platform advantages will become more and more commercial, even reaching a decisive level. "
Seeing this, Dai Linfeng couldn't help but smile, and made a comment: "It's exaggerated."
Because there were no entertainment circles or stars in the 1980s, it was called a literary worker. Everyone who participates has an attitude towards works of art, and consciously carries a heavy burden, and film and television dramas are very sacred things.
And finally, the manuscript wrote:
"We are very, very backward, regardless of the theme, the structure of the story, or the character creation, computer special effects, etc. Even the performance methods of many actors follow the habit of model drama.
This is true of a Huo Yuanjia and a Shanghai Bund. The country's first opening has already seen its signs. If we do not work hard, we can only be a passive exporter in a few years or more, when foreign cultures march forward. "
"..."
There are more than 10,000 words in the foreign language, with clear writing and logical logic.
Dai Linfeng looked at it word by word, or even repeated paragraphs, so that his neck was sore and his eyes were dizzy, and he had to get up and exercise a bit.
After the exercise, I sat down and felt like I was still in the air. I just watched it again.
First of all, he completely agrees with Xu Fei's view on "Shanghai Bund".
Due to the great influence of this drama on the people, even newspapers such as "Reference News" have paid attention recently. It is true that some old demons have criticized them, and compared the 83-year TV series "Under the Roof of Shanghai".
This is based on Xia Yan's drama. The original old magic capital is very different from "Shanghai".
But Dai Linfeng felt that there was no need to compare, these are two different forms of expression. One follows history, and one more meets the needs of the public.
Along with this, the second topic was also raised. There are too few original works in China.
During the period of the Republic of China and before engaging in sports, there would be no TV dramas. Those filmmakers have very strong creative abilities, such as Li Tianji's "Spring in the Small Town", Yuan Muzhi's "Angel on the Road", Xie Jin's "Ladies' Basket Five", etc., all of which are classic works handed down.
As a result, a campaign was over, and now I will really shoot masterpieces and novels.
Take last year, for example, "There is a snowstorm tonight", "Red Rock", "The Garland under the High Mountain" (TV series), and "Long Night Travel" are all adaptations of novels.
Furthermore, Dai Linfeng held conservative views on the two points of view of "cultural output" and "commercial attributes", and he always felt a little exaggerated.
However, he absolutely supports "their own film and television industry must strive for progress and avoid being killed by others".
"Hey……"
The old man sipped the tea that had been cold, unknowingly, and said to himself: "This kid has so many tricks."
He suddenly discovered that his impression of Xu Fei was very clear.
The first time, when I was studying Tanchun's story line, I felt that it was extremely rare for young people to have ideas. Then I learned that he is good at painting and versatile.
The second time, I watched Jia Yun's play on the set, and I felt very fresh, oh, it's still a acting.
The third time is today.
The value of this manuscript is quite high, and it is more than just an idea, it can be described by acting.
Dai Linfeng was also from Liao province. He participated in the revolution in the early days and was transferred to CCTV. He sat down to the position of deputy director. His experience is very comparable, knowing that this kid must have a picture.
Just like the ancient literati who entered Beijing, they would vote their own poems and scriptures to famous scholars to get recommendations.
The old man is more open-minded, otherwise foreign TV dramas will not be introduced, and advertising business will be increased in CCTV. So he doesn't dislike this way, as long as you are real.
…………
Since the first manuscript, the two have reached some kind of tacit agreement.
When Xu Fei had an idea, he wrote something out, and then sent it to him. Dai Linfeng kept it, but he never commented on it, nor did he ask what he wanted to ask.
In fact, just after the rebirth, Xu Fei made a list of what he could do, and finally found that the old bank was the best. It's just a special age. Individual behaviors have to be squeezed. They must expand their network and cultivate relationships.
So don't look at his busy work, his goal has always been clear.
Of course, he didn't just join the cast of "Dream of Red Mansions" for the purpose of nurturing relationships. He really liked the play, and he was easily reborn, so he naturally had to participate.
(Friendly push book "Movie Style")