: , In response to questions from book friends under 1 (free)

I read the book review area today and suddenly wanted to make a comment.
One, I saw children's shoes and said that this part of the plot was a bit messy.
It's just that the description method of using two lines to advance interactively is messed up?
In a nutshell, Tang Fang has a line, Bai Hao and others have a line, Turanx's current situation is fermented, and the undercurrents in the Sirenbel region are raging.
Is this messy? Some book friends thought that when I wrote about the world view, they thought it was in the number of words, so I didn’t read it carefully, and then quickly turned through the fighting chapters later, and then saw unintelligible terms, scenes, and characters, and were too lazy to turn to the front. The introduction said that I wrote silly, I was really speechless...
Second, some people think that irrelevant supporting roles are wasting too much pen and ink.
Is this story over? Do you know that the two lines of Tang Fang and Bai Hao will fall into one line? Do you have to design a plot that involves repeated escalation of face slaps in general escalation novels before you can accept it? I think you can remember everyone, just like those in the group of book friends who usually discuss in the group, they can remember every supporting role around the protagonist. I believe this is for all book friends who read books seriously. It's not difficult.
For supporting actors like Bai Hao and Roy, I am more willing to portray them as flesh and blood people, a green leaf that can grow with the protagonist, the flower and see the texture. Rather than a cold name, a prop.
I admit that sometimes when the mind is stuck, there will be one or two chapters of fun and daily life, but when it comes to the promotion of the small plot of the plot, it will eventually contact the main line of the stage.
Third, the issue of base visualization.
It is still in the stage of gaining momentum, and the rear is unstable and resources are lacking. Does it make sense to visualize the base?
I can only say that when the plot is here, it will naturally appear when it should appear.
There are already a lot of foreshadowing, of course it is very cryptic, you will know when the plot arrives in the future.

Finally, say a couple of digressions.
What I want to write is a story, a story with plots and characters as the mainstay. It is not a pure rhythmic slap in the face with no brain pretending to be forced to slap the face repeatedly.
It's not simply a hegemony essay that has been crushed by brainless violent soldiers and turned the whole world over. In my opinion, the protagonist in such a novel is more like a machine than a person. Don't you feel uncomfortable to assume such a role? When the series of war scenes are over, how many plots can you remember in retrospect?
In short, I'm trying my best to build a better and more reasonable framework for the story, the characters' IQ, and the world.
Of course, I can decide whether you approve it or not. I can just say with confidence that I have been working hard and have never slackened. (To be continued.)