Chapter 1988: The Knights Templar

　　 This is a sea of ​​swords, a world of cold weapons in the Middle Ages.
　　 As soon as he entered the'Kings and Knights' exhibition hall, Ye Tian saw a familiar picture.
　　 About four or five meters away from the entrance of the exhibition hall, there is a fully transparent bullet-proof glass showcase with a height of over two meters. Several spotlights inside have been turned on and projected on the exhibits in the showcase from different angles.
The exhibit is a medieval crusader knight sword that is as bright as new and sharp. The hilt is facing up and the tip of the sword is rushing down. It is inserted in the center of a square marble base, like a legendary stone. Sword-like.
　　 Under the illumination of a few spotlights inside the showcase, the knight sword looked chilly, revealing a fierce murderous aura, especially the deep blood trough on the sword, it was frightening to look at.
　　 The squiggly Latin engraved on the body of the sword and the lines of text engraved on the marble pedestal are also very clear under the bright light.
　　 In addition, in front of this crusader knight sword, a full-metal helmet with a mask is placed close to the blade, and a fine iron shield is leaning against the marble base.
　　 This is the last commander of the Knights Templar, the knight sword of the famous Templar Jacques de Molay, and the full set of Crusader knight equipment. Ye Tian couldn't be more familiar with it.
　　 I found the treasure of the Knights Templar in Larnaca before. After cleaning up and preparing to remove the valuable antique relics from the treasure, he personally pulled out the knight sword and packed it in a box.
　　 The words ‘J.D.M’ engraved on this knight sword and Jacques de Molay’s life story engraved on the marble base also explain the origin of this knight sword and other knight equipment.
　　Although he had seen this knight sword and this set of crusader knight equipment, but now seeing them again and seeing them displayed in his exhibition hall, Ye Tian still felt excited.
　　 As for the authenticity of this Crusader knight sword and other knights' equipment, and whether the Metropolitan Museum was stealthily changing, Ye Tian knew it instantly when he entered this exhibition hall.
　　 Undoubtedly, they are all real, and each one is a top-notch antique cultural relic of pricelessness.
　　 In Ye Tian's eyes, the bright light they emit is enough to explain everything.
　　 More than 700 years ago, Jacques de Molay, the last commander of the Knights Templar, was holding this crusader knight sword and wearing these knight equipment, leading the Knights Templar across the battlefield and interpreting the legend of knights.
　　 It is a pity that in the end he was sent to the fire for the greed of King Philip IV of France, ended in a tragedy, and became the protagonist of a famous tragedy.
　　 To the left of Jacques de Molay’s knight sword, there is the knight sword and other equipment that he was the high priest of the Knights Templar when he was the commander in chief. They are also displayed in a transparent bulletproof glass showcase.
　　 Looking forward, Ye Tian saw the knight sword and other knight equipment of another Templar commander Jimira III de Beaujean. The opposite was the knight sword and other equipment of the high priest of the same period.
　　 and so on, every time the line of sight extends a little forward, two fully transparent bulletproof glass showcases appear, each displaying a long-lasting, unmatched Crusader knight sword and other knight equipment.
　　 The scene before me is really familiar.
　　 Just like when the knight swords and equipment of the leaders of the Knights Templar were first discovered, in the exhibition hall of the "Kings and Knights", a horse and other cross shapes were also displayed, and they were even larger.
　　The difference is that the knight swords of the commanders and high priests of the Knights Templar, as well as the corresponding knight equipment, are all displayed in fully transparent bullet-proof glass display cabinets two meters high.
　　Beside each showcase, there is a glass platform about one meter high, on which there is a small LCD screen to introduce visitors to the exhibits in the showcase.
　　 Due to the large volume of these bullet-proof glass showcases, in order to facilitate people to visit, and for safety reasons, the distance between every two showcases is two meters, which is much larger than before.
　　 All these bullet-proof glass showcases are fixed on the floor of the exhibition hall. They are very sturdy and are not afraid of the impact of visitors. Moreover, each showcase is installed with the most advanced anti-theft system and is always under surveillance.
　　 As seen in Larnaca, at the bottom of the other crosses of this horse is Jacques de Molay’s knight sword and equipment.
　　 At the top of the other crosses on this horse is the Crusader Knight sword of the founder of the Knights Templar and the first commander Hugo de Pain, and corresponding equipment.
　　 The center of this horse's other crosses is also the center of the entire exhibition hall.
　　 If you look down from the ceiling, this huge horse and other cross made up of a lot of cold-lighted knight swords and other knight equipment makes people feel even more shocking.
　　 gaze over the other crosses of this horse, and at the far end of the exhibition hall, there is a larger fully transparent bulletproof glass showcase.
　　 What is displayed in the showcase is the knight sword of King Baldwin IV of Jerusalem and the complete set of knight equipment.
　　 And these priceless knight equipment are all worn on a dummy, shining under the light, giving the impression that a king and knight from the Middle Ages stands in the distance.
　　Especially the distinctive leprosy mask of King Baldwin IV is very eye-catching, covering the dummy's face, giving people a strange and gloomy feeling invisibly, which makes people shudder.
　　 Due to the long distance, nearly a hundred meters apart, everyone except Ye Tian couldn't see the top antique relics in the showcase of King Baldwin IV. They could only imagine the situation in that showcase.
　　 Next, everyone looked at the walls around the exhibition hall.
　　 In front of the walls around this exhibition hall, there are rows of transparent bulletproof glass showcases. In each showcase, there are many crusader knight swords, sabers, and other weapons of various lengths.
　　 In addition, beside each bulletproof glass showcase, stands a dummy wearing a full set of medieval crusader knight equipment and posing in different fighting poses.
　　 Some of them are holding knight swords and shields in their hands, some holding weapons such as javelins and bows and arrows, or they are attacking or defending, with different expressions.
　　 Some of the dummies were still riding on horses, making attacks with swords, slashes, or spears. They were very vivid and lifelike, showing a murderous, even a bit tragic aura.
　　Of course, the weapons held by these dummies are connected to their bodies. They are modern crafts, not antique relics.
　　 Those antique weapons are all displayed in the showcase next to it. It is impossible to put them outside to avoid accidents.
　　The war horses under the dummy's crotch are naturally fake. They are modern crafts, but they are beautifully made and look like real.
　　 Without exception, all these dummies are dressed in the iconic white robes of the Templars, and their chests are embroidered with huge red horses and other crosses.
　　Even the fake war horses wore red horses and other crosses. Some of them were also wearing armors and spurs on their foreheads, as if they were ready to charge at any time.
　　 Although these Templar knights and their horses and weapons are fake, they are for the occasion and for exhibition.
　　 However, the armors worn on these fake Templars, the helmets on their heads, the boots on their feet, and the shields they held in their hands are all genuine antique artifacts, all from the treasures of the Knights Templar.
　　 Different from the knight equipment of the previous leaders of the Knights Templar, the weapons placed in the surrounding showcases, as well as the armor and helmets worn on the fake Templar knights, are all rusty and damaged.
　　 The white robes on these fake Templar knights and the horse robes draped on the fake horses are also in tatters, with holes everywhere, and there are even a lot of blood stains and marks left by swords.
　　 In this way, the fake Templars standing around the exhibition hall, wearing armor and helmets, seem to be struggling to fight, look like a group of knights from the depths of hell, swung their swords to the world.
　　 The atmosphere in the entire exhibition hall has therefore become a lot more solemn.
　　 If you dim the light a little bit, everyone in this exhibition hall will feel that way.
　　 I was on a battlefield in the Middle Ages, witnessing and participating in a brutal and battle.
　　 And this is what Ye Tian deliberately did, and it was the effect he wanted to create.
　　 There is no doubt that once the "Kings and Knights" exhibition hall is opened and presented to the public, the atmosphere in the exhibition hall just like a medieval battlefield can cause a huge sensation and attract countless visitors.
　　 What's more, there are a large number of valuable and top antique artifacts here. It is the best place to show the history of the legendary Knights Templar, and it is also the best place to learn about the kingdom of Jerusalem and the history of medieval Europe.
　　 Also in this ‘Kings and Knights’ exhibition hall, there are also many top antiques related to the Knights Templar and the Kingdom of Jerusalem, scattered around the exhibition hall.
For example, the golden crown of King Bohemond VI of Antioch, and the statue of "Godfrey of Bouillon" are displayed in different bulletproof glass showcases ~ EbookFREE.me ~ each one is The most valuable antique relics.
　　 It took three to five minutes for Ye Tian, ​​who stood at the entrance of the exhibition hall, to have a general understanding of the situation in this exhibition hall. Everyone felt dazzled.
　　 "Wow! It's so spectacular here. Standing at the door of this exhibition hall, I seem to have a feeling of walking into the Middle Ages, feeling that I am about to step into a medieval battlefield and participate in a battle!"
　　 David said in amazement, with a shocked expression on his face.
　　 Everyone on the scene is the same. Everyone nodded in sympathy, and their eyes were almost straight.
　　 "The reason why the Kings and Knights Exhibition Hall can present this appearance is entirely from Steven's design, which is rebuilt and arranged according to his wishes. I have to say that this is an extremely stunning and extremely talented design.
　　 After the renovation of this exhibition hall and the completion of the exhibition, everyone in our museum was completely shocked. Everyone was stunned. Steven, I did not expect you to be a genius designer! "
　　 The Metropolitan Museum curator Thomas continued, and gave Ye Tian a thumbs up.
　　 Following his remarks, everyone on the scene looked at Ye Tian, ​​and everyone was full of admiration, even a little bit unbelievable.
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