Chapter 2641: Jian Bao

One night passed, and when he woke up in the morning, Shen Long booked a ticket to go home tomorrow on the Internet. In the world of Journey to the West, he had already thought about planting all the grapes planted in Huoyan Mountain on the back mountain of his hometown. Taking advantage of Arya's not yet starting school, just to do this.
As for today, let’s prepare first. First, take out the original "Preface to the Three Tibetan Sacred Religions of the Tang Dynasty" handwritten by Chu Suiliang, cover it with the space-time furoshiki and make it old, and then call Shi Pu, "I recently bought it again. When it comes to a good thing, do you want to come and take a look?" Let him see first, his painting and calligraphy appreciation level is still very good, definitely at the level of a senior expert, if he is sure that it is authentic, then it should be enough.
"It's still the same as the ones on your wall? I said when will you get a real one and come back, so that I can get a good insight." Although Shi Pu complained, he moved faster than anyone else. He put down the phone and passed by. Hurry up.
　　 Hey, the ones on my wall are actually authentic, but you don’t believe them! Shen Long shook his head and began to prepare tea or something. Since they are here, why should he take care of a meal?
　　 Less than half an hour later, Shi Pu arrived. As soon as he came in, he clamored to see. Shen Long took him to the study, took out the scroll of "The Preface of the Three Tibetan Sacred Teachings of the Tang Dynasty", opened it carefully, and presented it to him.
"Is this Chu Suiliang's handwriting? Ethereal and flying, from the straight two-point pen that wins with bones to the one- and two-point pens that win with tendons, the strokes are undulating, ups and downs. It is the characteristic of Chu Suiliang's late period!" Shi Pu suddenly took a breath. Chu Suiliang was one of the four great masters in the early Tang Dynasty. He is naturally familiar with such calligraphy.
"Huh? I'm going, isn't it the real thing this time?" Shi Pu finally noticed the silk silk carrying the calligraphy this time. The silk silk has the yellow spot that has been nurtured over thousands of years. The shape of the yellow spot is natural, with his natural vision. He could see that the old method used in the antique industry could do it, but he didn't know that Shen Long still had such an artifact as the furoshiki of time and space.
　　 "I am also a little bit uncertain, so please come and help me with my palms!" Shen Long laughed, saying how many times I have been here.
Shi Pu took out a magnifying glass and looked at the material of the silk. "This silk is the top grade used by the court in the early Tang Dynasty. The Preface of the Three Tibetan Sacred Religions of the Tang Dynasty is written by Li Shimin and written by Chu Suiliang. It conforms to historical facts; as for this calligraphy style, it is indeed Chu Suiliang's style."
"As for whether the "Preface to the Preface of the Three Tibetan Sacred Religions of the Tang Dynasty" is true or not, I have to study it carefully." Shi Pu said solemnly. If it is confirmed to be true, it would be terrible, although this is not his work. , But to be able to identify a calligraphy work that is so famous in history, it is also something that can be said for a lifetime.
Now that science and technology are advanced, Shi Pu took out his mobile phone after looking at it for a while and found the high-definition picture of the "Preface to the Preface of the Sanzang Sacred Religion of the Tang Dynasty", and compared the photos to confirm it word by word. The strokes are more than 90% similar. The slight difference is more likely to be a problem in the carving process; after all, the calligraphy written on silk and the inscription on the stele is still a little different , These are also common in other works."
"From these aspects alone, it is highly possible that this work is authentic, but if you want to make a final judgment, you have to use more advanced equipment to determine the age. I don't have this stuff, or else Let's take it to the Palace Museum for inspection, oh, if it is inconvenient for you, let me say nothing." Shi Pu said.
　　 Once this thing is determined to be authentic, it is definitely a national treasure level cultural relic. It is not easy to collect privately. Shi Pu worried that Shen Long would not be willing to give up his love, so he said that.
"The Forbidden City is not going. I have an appointment with the Shaanxi History Museum. This thing is more suitable for them. I will send it to them tomorrow and let them check it. If it is confirmed to be true, I will donate it to them! "Shen Long said graciously, there are more authentic works in my house, but this one is not bad.
"You are so generous! There are only two authentic works that Chu Suiliang still circulates. The "Big Character Yin Fu Jing" is hidden in the Asian Art Museum of San Francisco. However, whether this work was written by Chu Suiliang is still in doubt, because The "Big Character Yin Fu Jing" was signed as "Sui Lang Chen Chu Suiliang's Edict Book". Chu Suiliang was in his middle age, but this volume has the style of his later years, so it is suspicious; and "Ni Kuan Zan" is in the Forbidden City of Baodao Some people say it is written by Ouyang Xun. If you can confirm this, it can even be said that this is the only real thing that Chu Suiliang has circulated in the world!" Shi Pu's various allusions in the painting and calligraphy circles came with open mouth.
　　 "But there is a big problem with this work. Why are there no inscriptions and seals on it? Don't collectors of all dynasties and generations willing to use the seal?" Shi Pu asked suspiciously.
Ancient collectors like to add captions or seals to their collections~EbookFREE.me~ For example, there are Jin Dynasty Zhang, Zhang Gongyao, Li Quan, Wang Xuan, Zhang Shiji, Yang Zhun, Yuan Dynasty, Liu Han, Li Qi, Ming Dynasty Wu Kuan, Li Dongyang (second postscript), Lu Wan, Feng Bao, Rushou and other thirteen families have 14 postscripts.
Qianlong was a madman with seals. Almost none of the famous paintings and calligraphy collected by the House of Internal Affairs escaped his clutches. Wang Xianzhi's "Mid-Autumn Tie" contains more than 30 characters, and he has more than 80 seals in one breath. Wang Xizhi's "Quick Snow Time and Clear Post" is not only covered with Qianlong's various "stamps", but also written with the huge "God" character, he is not afraid of being put together with Wang Xizhi's words and being laughed at!
In the field of ancient calligraphy and calligraphy identification, it is common practice to rely on the inscriptions, postscripts and seals to determine the authenticity. By the way, it is common practice to study the inheritance history of the calligraphy and calligraphy. For a famous work like "The Preface to the Sanzang Sacred Religion of the Tang Dynasty", there is no inscription or postscript on it. The seal is indeed a very strange thing.
　　Hi, what's so strange about it, since Chu Suiliang wrote it, and when I put it in front of you, it hasn't been half a month before the Communist Party of China, so other people have the opportunity to stamp and write the epilogue? And there are no works without inscriptions and seals. Unless there is a clear record in history books, this is not the standard for judging authenticity.
　　 "Why don't I go to Xi'an with you tomorrow? I also want to see how those experts judged it!" After Shi Pu asked Shen Long about the scheduled train, he quickly booked the same high-speed train with him.
　　 Early the next morning, the three of them took the high-speed rail and arrived in Xi'an at noon. They ate a steamed pork bun at Zhangjia on Ziwu Road near the Museum of History, and then brought their works to the door.