Vol 21 Chapter 22: Yuanshen Eighth Floor

The strong ‘power’ that makes life tremble breaks through all suppression and surging out completely.
Meng Chuan held a paintbrush in his hand and began to paint.
First, it was a very dark and depressing scene...A and demon stood in the air and looked down from a high altitude, looking at a ruined city. The ruined city was equally dark, with countless corpses scattered everywhere. This was a city on the scale of'Fucheng', with too many corpses. Meng Chuan's paintings are simple in natural lines.
Behind the simple lines, there is still the breath of death coming from the surface.
Meng Chuan saw with his own eyes that too many cities were slaughtered. When the demons ravaged the world, he rescued the cities and saw too many cities and Wubaos being slaughtered.
I have seen it with my own eyes, and the paintings are even more in the bone and soul.
...
The slaughtered cities, the slaughtered villages, the large number of ferocious demons who came in from the entrance of the unstable world, and the ordinary people who fled frantically, constitute the starting picture of the entire scroll, which is also the beginning of the war.
...
After that, the human race began to build a majestic "chengguan" at the entrance to the stable world, with gods, demons and ordinary soldiers guarding the city.
People dismantled ordinary villages and began to build ‘dock fort’ with numerous organs, where thousands of ordinary people gathered together.
The whole world is changing because of the Yaozu.
...
Meng Chuan painted scenes of common people joining the army.
The mundane young man is carrying his luggage and bid farewell to his parents; the heroic woman prays to the old man in the Taoist robe; the man with the broken arm hugs his wife and leaves without hesitation; the middle-aged man rubs the heads of his children and entrusts them to his wife...
Each has its original shape, and Meng Chuan has seen many common soldier files.
In the early days, soldiers from the city gates were recruited publicly. They were all voluntary, and they could sign up after reaching the level of ordinary ‘marrow-washing’. Many young people just joined the army without hesitation and went to fight the monster race.
Painting these scenes of joining the army, Meng Chuan thought of countless names on the dossier, and too many people had only one name left.

When Meng Chuan looked through the dossier and fully understood why his soul had been trembling, his soul began to shine.
When he started writing, the primordial spirit was always shining and changing.
After painting for a long time, while Meng Chuan was painting the scenes of joining the army,
"boom!"
The primordial spirit that has continued to transform for most of the day has undergone a qualitative change.
Every primordial thought is blooming with colorful rays, like a treasure in the world. The ‘primordial spirit’ where countless primordial spirits converge is even more vast and mysterious. Meng Chuan’s primordial spirit is dressed in colorful robes, full of colorful light.
The eighth floor of the soul!
They are practitioners at the monarch level, and many of them stay on the seventh level of the soul. It is because the primordial spirit is extremely talented, and many of them have difficulty taking that step to reach the'eighth level of the primordial spirit'.
Cang Yuan Patriarch's Yuanshen talent is not high, and the physical body has a very high talent. It can be used as a great power in the Seven Tribulations Realm, but his Yuanshen has always stayed on the seventh floor of the Yuanshen.
Meng Chuan...
He has a heart to observe the world since he was a child, and he has a talent for painting.
However, after practicing for more than 700 years, the state of mind has gone to death. After experiencing the whole war, when painting this painting, he entered the eighth level of the soul.
As the realm increases, it becomes more difficult for the soul to transform. Because they have seen too much, they can face it calmly, so how difficult is it to change their hearts?
The eighth floor of the soul!
In the vast river of time and space, they all represent the Yuanshen Tribulation Realm!
The Yuanshen Tribulation Realm also needs to cross the Tribulation, and every Yuanshen Tribulation is a test of the Yuanshen.
Of course, the first primordial catastrophe will arrive a year later at the earliest.
...
"The eighth primordial spirit?" Meng Chuan noticed his own changes, but didn't care.
Before this picture, the transformation of the soul can also be put aside.
This painting reflects his heart!
once……
Meng Chuan's state of mind falls into ‘annihilation’ and it is difficult to see how much fluctuations can be caused by anything. Because Meng Chuan believes that the ultimate destination of everything is dying, and he sees the whole world as if it were ‘gray’.
But now, his state of mind has changed, completely torn apart the ‘death state’.
This is a new state of mind.
Meng Chuanfang was able to paint because he shredded the "death state of mind".
...
Meng Chuan was completely immersed in painting.
After painting these scenes of common people joining the army, Meng Chuan painted the majestic "chengguan".
In this city, there are gods and demons, mundane, and world entrance. The few ordinary ‘youth’, ‘women’, ‘broken-arm men’ and ‘middle-aged men’ who participated in the war were all ordinary soldiers.
...
The gods and demons led the ordinary people to resist the demons.
There were soldiers struggling to beat the big drum, and with the sound of the drums, other ordinary soldiers cooperated with each other to fight the monsters. The gods and demons also fight with the demon kings.
During the battle, some soldiers fell, and other soldiers were fighting frantically.
...
The battle was won.
But many soldiers died, some of their companions were sad, and some stood at the head of the city and looked at the entrance to the world.
...
Picture after picture, there are scenes of victory. The ‘youth’, the ‘woman’, the ‘man with a broken arm’, and the ‘middle-aged man’ have been alive in the Chengguan army, but their companions have passed away many times.
Finally it was another picture.
The demon king flew into the sky and roared, the demon clan raged, and all the clan fell.
The corpses of the young man, the woman, the man with a severed arm, and the middle-aged man were among them.
On the other side...
The parents of the young, the master of the woman, the wife of the man with a broken arm, the wife and children of the middle-aged man, are still looking at them.
...
This scene of mundane battles, battles, sacrifices, and family waiting was drawn for a total of nine days. The paintings seem to be only a few soldiers, but in fact they represent countless soldiers who died in battle, in units of '100 million'. There are family members behind, and they all have their own pursuits. In peacetime, they may be more willing to spend time with their families and teach their children with their wives.
However, they all went to the war.
In the early days, they participated in the war voluntarily. In the middle and late stages, there were more and more gates, and only ‘military service’ was possible. Various benefits were given to military service, but the casualties of military service were still heavy.
Meng Chuan drew this paragraph and stopped. What appeared in his mind were paragraphs of stories that he had seen in the file. Among the countless items left, there were many letters. As if looking at a living person.
Many of them miss their families and feel owed to them.
But the city must be guarded! If you don't guard, the monster race will slaughter and kill more people.
If they don't resist, the human race will be annihilated by the monster race.
The plan to destroy the world is only known to a few venerables. It is the fact that many kings, gods and demons, and even the venerables of Liangjiedao and Heishadongtian believe that... if you don't resist the demon race, the entire human race must be annihilated. In order not to destroy the race, generations of gods and demons must work hard.
Meng Chuan did the same back then, and also went desperately.
...
Meng Chuan kept painting.
He drew ‘The Beginning of War’, ‘Chengguan and Wubao’, ‘Join the Commons in War’, ‘Guardian of Gods and Demons’, ‘Heaven’s Demon is a Disaster’...
His painting is the whole history, more than 900 years of history.
The paintings are also heroes. When painting each hero, Meng Chuan thinks of a piece of real history.
The painting is also the ‘will’, the ‘will’ of the entire Cangyuan realm human race.