Vol 3 Chapter 410: Grandpa's house is an old-fashioned home

Lu Zhengkang did not realize at this time why he was in this rural place called Xingfu Farm.
He thought this was a simple visit. Young descendants come to visit the lonely empty-nest elderly out of filial piety, so that they can experience a little bit of family warmth and so on in their bleak twilight years. Generally such scenes will be very moving, and old men and old ladies will show embers. Such red-hot enthusiasm can often make a child screaming and getting fat.
Sun Hui made a hearty lunch, four dishes and one soup, but I can't say how rich it is. Grandpa's house does not have a household robot, and his mother's craftsmanship can only be said to be close to the housewife's baseline.
The so-called richness is actually just a lot of raw materials. Farmers eat everything they eat from the ground. Although the grain in the Xinnong District is theoretically public, the old saying goes: "Can the donkey starve to death in the mill?" With the food intake of the old man, the amount eaten throughout the year is not as much as the yield reduction caused by a slight pest infestation. Besides, the farm produce market is in the nearby town, and the price is so cheap that it makes people daunting.
Four dishes, such as scrambled eggs with tomatoes, are a must-have. Of course, beef brisket stewed with cheese and potatoes is a good winter dish. The sweet and sour pork ribs are also quite good. Serving with a bowl of Evergreen Egg Soup is too luxurious as a lunch, or even a total suspicion of waste-it is good to eat it at night if you can't finish it.
Lu Zhengkang thought that he might have to stay for a few days this time. I wonder what good food his mother will make tonight?
The atmosphere at the dinner table was sluggish, and Sun Hui tried his best to serve Lu Xuefeng with vegetables. The dead old man didn’t say a word. He was stunned and grabbed the rice. The momentum was amazing. Lu Zhengkang's blood boiled and he shouted in his heart to do him seven or eight bowls of rice... It's impossible, Sun Hui gave him a quota of two bowls, and eating one more bite is a delusion.
"Grandpa, eat slowly and don't choke."
Lu Zhengkang clamped a piece of potato, put it on his mouth and blew lightly, watching the cream-colored molten cheese slowly drip, pulling out the slender silk thread, suddenly a little impatient. He turned his gaze to his mother, and he could see that she cared very much about Lu Xuefeng, which is a quality that a good citizen with social trustworthiness should have.
So, since the children are in good condition and have filial piety, why not take the old man to live in the city?
If you can't figure it out, don't think about it.
It has been five years since the end of the century. It is also the first time that Lu Zhengkang has seen a guy who eats more ugly than his own. He is his grandfather. The old man has a stinky face. He opened his mouth and showed ragged yellow teeth. It's ugly, it looks like a demon who eats children.
Moreover, his chewing movements are quite distinctive. They are often grinded with the left molars. After the masticatory muscles are tightened, the loose skin on the cheeks will be stretched, just like a small mouse or a small stone is stuffed in the mouth. Drum, those gray-black age spots are also undulating, like moldy yellow-faced buns.
His gaze does not often move. He stares at the head of the chopsticks when picking up vegetables, and at the rice bowl in his hands when eating. Although his back is not straight, his stern uprightness can make people see clearly. Clearly Chu.
Maybe the smelly problem of the old deer's favorite garlic is inherited from this old boy.
Because Lu Xuefeng didn't speak, the atmosphere at the dining table was particularly stiff. Lu Zhengkang secretly observed his mother's face, and she seemed to smile a little reluctantly.
After the meal, the grandson-in-law went to wash the dishes obediently, and Lu Zhengkang sat on the wooden sofa in the living room, checking the furnishings in the house.
The old man’s house is definitely retro. At least Lu Zhengkang has never seen that grandfather and aunt make the home fashionable. This is not to say that they must be stubborn, but that the decline in information acceptance leads to aesthetics. Laggard, and deviations in the understanding of trends.
Ask the older generation to study decoration, and the result will be tragic. It is very likely to go to the post-modern country retro psychedelic electronic style, or to put it in human terms: is not as good.
What is the hand sanitizer next to the toilet, what is the small chandelier in front of the TV, what is the sunrise oriental wallpaper, what is the sticker of the human-shaped wardrobe, what is the impressionist mosaic tile... and so on, it can make people look at the sky spirit cover. .
However, Lu Xuefeng's home furnishings are not bad and old-fashioned, but they are old-fashioned at the beginning of the century.
As far as interior decoration is concerned, this is also a trend after all, and it has a strong feedback effect on the sense of age, allowing people to see the social background of its design at a glance.
Lu Zhengkang still remembers the interior decoration style at the end of the 20th century. Green water paint walls, red mesh covers on electrical appliances, a piece of glass on the desk with many photos sandwiched, and a bulky semiconductor radio on the corner of the desk.
At the beginning of the 21st century, European-style home furnishings became popular. The origin of the combination of Chinese and Western styles can be traced back to the end of the Qing Dynasty and the beginning of the Republic of China. From the perspective of Lu Zhengkang, Chinese decoration designers have learned Western styles for so many years, but still have not learned the essence. , The house built always has the awkwardness of the donkey's lips not matching the horse's mouth.
In the fourth year of the 1930s, the decoration concept of light luxury, minimalism and naturalness suddenly ushered in an explosion. At that time, the middle class began to pursue Nordic style interior decoration. UU reading www. Speaking of uukanshu.com, this is inseparable from the rise of holographic projection technology at that time. After all, enough space is left to facilitate the immersive experience. Therefore, decorations and other space-consuming things are omitted, and for Ensure that the color perception of the projection is normal, and the painting of walls, floors and ceilings should also be as simple as possible, preferably black and white.
The decoration trend of the 1940s is called the future minimalism. On the basis of the 1930s, with the introduction of omnipotents into thousands of households, the sense of technology and design are especially sought after, in order to give logical thinking ability. Strong omnibus provides a learning and growth area, and every item in the home has a special storage place. At that time, a good design solution was worth more than 100 million yuan, because it saved a lot of time to find things repeatedly.
The 1950s was an unremarkable decade. By the mid-1960s, the country’s Dyson Cloud project in space was initially completed, and energy was greatly enriched. Therefore, a large number of extremely energy-intensive products were born. The interior decoration at that time was called A hundred flowers blooming, ten thousand horses galloping, and even a fairy-tale miraculous building such as a floating house, although its end was deemed to be an illegal building and forcibly demolished, it shows the madness of the people at that time.
In the 1970s, it was cyberpunk. Each city has its own unique style. The city of Jiangsu and Zhejiang where Lu Zhengkang is located is bound to be rich in wealth. Therefore, every tall building is covered with a projection glass curtain wall. It is a "mirror lake" in the daytime. "A beautiful city" at night is even more like a "diamond reflecting the moonlight", not to mention that the whole city is cast on a large screen during the festival, which can be seen from space.
The grandfather's house was in the 1930s, but after all, the housing area in the rural area is limited, so it is minimalist, but light luxury is invisible.
Pretty real.
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