Chapter 115: Qinling God Tree · Escape

These red eyes were covered with throbbing blood, looking strange and abnormal. As soon as I looked at it, I suddenly felt a sense of soul being pulled away, and just felt strong nausea and dizziness, and immediately turned my face away.
Master Liang seemed to be in the evil. His eyes were fixed on the eye, and he didn't move at all. I called him twice, and there was no response.
Master Liang said that the dark eye of "Candle Nine Yin" was through hell. I know it must be wrong, so I grabbed a handful of water and splashed at him.
I do n’t know if Zhu Jiuyin suddenly looked forward or how. The water did n’t splash on Master Liang, but on Zhuo Jiuyin ’s head.
Zhu Jiuyin gave me a splash of water splashes. As soon as my eyes closed, the snake's head shrank back, and I wanted to attack. I hurried to the back of the copper tree, the snake head hit the bronze tree, and bent all the branches. At this time, I thought of the backpack I got from "Old Itchy". What weapons might be in it, I hurriedly turned the backpack to the front.
There must be no guns in his bag, but I remember that there were a few detonators they used to blow up the tomb wall. Now I am defenseless, and something a little powerful might deter.
Zhu Jiuyin coiled around from the side of the bronze tree. While moving to prevent it from seeing me, I climbed up and down, grabbed the backpack, and pulled in.
The backpack was full of things. I took all the food out and threw it into the water. I finally figured out what I thought was a detonator. At first glance, I could n’t help but stay. It was too sloppy when I just looked at it. The bundle of things , Turned out to be black candles.
At this time, the snake head had come over and saw that I suddenly folded the snake's neck again and made an attacking gesture.
The average attack speed of the snake is only a quarter of a second. Although this one is a bit larger, it is estimated that it is not too slow. When I saw it, it was over for a second and it was over. I pulled the backpack and jumped into the water.
But the speed of my fall was still too slow. Suddenly the black shadow flashed, and the snake head shot bit me into the sky, and then the snake body rolled up, trying to wind me into its body.
My hand was groping in the bag. At this time, I suddenly felt the kind of semaphore they used. I was in a hurry, and I unconsciously pulled the trigger. The backpack gave a big hole. It wasn't that the flare burst into the snake's mouth, only the tiger's mouth felt hot, and then it just turned around.
I slammed into the water again and surfaced. Looking back, the signal flare in the mouth of Zhun Jiuyin was glowing a hot white light, and the air was filled with a smell of wax, and I do n’t know why, The whole body began to emit blue smoke.
The fat in this snake itself is very easy to burn, otherwise the ancients would not hunt it to make candles, but I did not expect it to be able to burn like this, what is flowing in it?
Zhu Jiujiu was suffering from pain, he could n’t control us anymore, he twisted his body constantly, his huge tail flapped against the rock, and a huge crack had already appeared on that side. Continue to flap it, and one crack spread out. A few small cracks, the whole mountain surface is cracking continuously, it seems that the entire cave may collapse.
I do n’t know if Zhu Jiuyin will die so easily. I continued to flip the backpack. There was no more useful things. So I threw the backpack into the water. The crack from Zhu Jiujin's yin rushed past.
There are many cave systems in the mountain here. It seems that the mountain behind the crack has been penetrated, and the water does not know where it has poured. I finally glanced at the ancient bronze tree, and I went to find Master Liang. I no longer saw the traces. I watched the stones on it start to rush into the massive water and collapsed. The candle Jiuyin was even more crazy and chaotic. Dancing, leaning backwards, he was caught in the gap along the water.
The gap is very deep, and the inside is dark, because it is a channel that collapses out, the stone inside is very irregular, and the water flow hits a lot of vortices. I swung around and rubbed in the inside, barely feeling that I should be drifting downstream go with.
Turned for about ten minutes. Suddenly I felt a free fall, and then I planted it into the water, struggling to look out, and found that the water flow had been brought to the underground river when it came. The water here is much more turbulent than what we just saw. It should be the same as what Master Liang said, and there was a heavy rain outside.
Although the water flow is very fast here, but there are not so many vortexes in the rock cracks, and the water has a little temperature, I was able to control my limbs and began to calculate the situation in front of me.
This underground river runs from top to bottom, I do n’t know where to go. If I rush straight into the tens of meters deep underground, I really have nothing to say, but according to the direction when it came, if it did n’t change big in the middle. Direction, I guess it should be given to the river that was crossed when the rush arrived.
Of course, the premise is that the road is smooth, I am nervous looking at the front, lest there be any forks, at this time the afterglow of my eyes flashed, I saw something carved on the wall of the underground river.
The underground river channel here, depending on the erosion of rocks, the history should be as old as this mountain, and there should be nothing on it, it should not be carved in modern times. I saw an opportunity, took a stone column hanging from the top, stopped my body, and took a photo with a flashlight. I was stunned.
The two sides of the river wall are all the same reliefs as we saw in the coffin on the top of the bronze tree. They are continuously formed into paintings, and some of them have collapsed, but most of them are still well preserved. The lines are bright and smooth, and the clothes are elegant. Different, vivid images, very dynamic.
At a glance, I know that these reliefs depict the process of commemorating the bronze tree by ancient ethnic minorities. The scene is extremely vivid. There is a relief on the huge bronze tree covered with the body of the slave and the blood of the slave. They flowed into the bronze tree and converged down the gullies above; one of them threw the slaves' bodies into the bronze tree.
A large part of the relief is submerged in the water. Everything at the bottom has been leveled by the water. It seems that there was no water when they carved it.
Judging from the reliefs here, the ritual of this bronze tree is very large. I have been looking at it, but the more and more strange, the scenes and sacrifices depicted by some reliefs are different, which I cannot understand.
One of the reliefs shows the ancient people pouring some liquid into the bronze tree. In the next picture, there is a "Candle Nine Yin" exactly like the one I saw just now. It came out of the bronze tree. Many ancestors wearing warriors surrounded it with bows, arrows and spears. This is obviously a hunting scene.
According to what I just understood, this bronze tree should be a special symbol of theocracy in ancient times. The "Candle Nine Yin" in the bronze tree was a kind of dragon in ancient times. In some written novels, "Candle Nine Yin" was even lifted. At the same height as Pangu, people should be worshipped as gods and animals. How can people here hunt it?
I continue to look down, hoping to see the answer from behind. There are still some rituals in the back. I can see that all the ancestors were wearing masks and their faces were dull. However, in every relief, there was always a person who was particularly burly. Looking at this man's clothing and expression, I can basically be sure that this person should be their leader, and it should be the original form of the statue I saw on the cliff of Jiaogou.
The head of that statue blew up the bomb. At that time, I always felt that something was wrong, but I never saw his head along the way. This time I can just take a closer look.
I took the stalactite column on the top, close to the rock on the ground, wiped the stains on it, and looked over.
The image of the leader in the relief is almost twice as large as the others, just like a giant. If according to my previous assumptions, the engravings here are all in official proportions, then this leader may really be so tall.
But it is bizarre that on all these reliefs, the head of this leader has a snake head on his neck, and it does not look like it is wearing a mask or something.
Although I have a certain amount of archaeological knowledge, I still have no clue about the accumulation of a lot of reading. I only know that from the surface meaning of these reliefs, I feel that Master Liang ’s judgment at that time may have some deviations. The tree may not be used solely for sacrifice, but for some kind of hunting ritual. Those sacrificed slaves may be baits that lead "Candle Nine Yin" out of the ground.
Bronze trees do not know how deep they go underground. These "candles and nine shades" should live in extremely deep ground. How to live in that kind of place is not something I can consider. I'm just curious. What is the purpose of hunting "Candle Nine Yin"?
The relief did not give me an answer. I saw that it was just some celebration scenes at the end. How to deal with "Candle Nine Yin" was captured, and it was not carved out.
I already know the basic situation. I looked at the water level and there is a tendency to continue to rise. I had to let go of my hands and continue to drift down with the current.
After such a long time, the flashlight has become very dim, and finally faded to the point of no lighting at all. I simply turned it off and moved with the flow in the darkness.
This period of time was very difficult. I have rushed down some small waterfalls several times. Although it is not fatal, it will inevitably make my nose swollen. For many hours, I do n’t know what is around and where I am going.
I gradually felt hopeless, and I did n’t know if I had turned or entered the fork. If I judged it wrong, then I might be bringing it deep into the endless underground river, and I do n’t know where this river leads to. Go, will it rush to the bottom of the life of "Candle Nine Yin"?
What is that place? In the end, will there be any emperor's tomb built deep in the underground river? This is a good idea.
Just when I was thinking about it, I suddenly saw a glimmer of light in front of me, and I saw a whole body shaking, and then I heard the sound of rumbling water, and I was overjoyed, knowing that the front was definitely an exit, and I had not seen natural light for more than ten hours. , I threw away the flashlight and swam forward.
My speed is very fast, just a few minutes, my eyes flashed suddenly, and then there was a white light, and I could not see anything. It was too long to see the light. The vision was dull, I yelled, but at that moment, a kind of The familiar feeling suddenly came from under me.
Is a free fall again! Another waterfall!
And judging from the strength of the water and the sound coming from underneath, the waterfall is definitely not small, and I do n’t know what is below. If the water is too shallow, then I died really wrong.
There was a roar in my ears, between the electric light and the stone fire, I didn't wait for my eyesight to recover, I was planted in the water.
At that moment, my hand stretched down, and I immediately felt a rock, bad, too shallow! I just realized this, and my head had knocked on something. As soon as my eyes were dark, I knew nothing.
End of "Notes on Tomb Robber Qinling God Tree"