Chapter 355: Ancient building in Yinshan · The true face of shadow


I looked at the figure, goose bumps fell off the ground.
At first glance, it was actually a stone statue, but then realized that it was impossible, because the form was too realistic, and it felt like a solidified hanged person. At that time, even if someone wanted to sculpt such a shocking and vulgar thing, it would not be so sculpted. Although there are many evil spirits in the Nanman region, they often take exaggerated routes and are not realistic.
There are so many strange things along the way that I dare not despise it. It is this thing that gave off the green light just now, and the location looks just right.
Closely approached the human figure. After swimming, the feeling of waxing the dead was more obvious. On the other hand, I found that his right hand was disconnected from the wrist, and the entire hand was missing. It was not cast in the first place, but was destroyed.
mock up! Want to learn Venus did not learn home! I hesitated for a moment and carefully used military thorns to scrape off the white precipitate above it, trying to see its original color.
Scratch off a piece, and I was taken aback. This thing was actually a black and red flower color, but it was not very bright and entangled dimly. It's like mildew. Continue to scrape, and found that the black, black and red mottled mold flowers are originally rust, this thing turned out to be iron.
No way! Is it an iron figurine? I dared to squeeze my hands with courage. It turned out to be solid iron. Some areas might be well-hardened and not decayed. I could even see a very delicate pattern carved on it. The other surfaces were completely rusty, all dark red. Spots.
I realized something gradually, and immediately scraped all the attachments from it. A very special iron figurine appeared in front of me quickly.
I ca n’t help but feel a little shocked, because this thing gave me the impression that the shape is realistic but the surface is rough, but now look at it, its surface was originally polished and polished. Although it is now rusty, it can be sure that it was very delicate and full of body before. They are all beautiful patterns and are a work of art. Touched by hand, I feel that these patterns are exactly the same as the iron patterns found under the bed of a stagnant oil bottle.
I understand! That's what the archaeological team salvaged underwater! Those iron pieces are fragments of this kind of iron figurine.
Is this a cultural relic? Is there archaeological value?
Turned to thinking that the oil bottle said that these iron pieces are very dangerous. I kept my eye on it and stopped touching it, keeping a distance, and watching carefully.
I have no research on iron, but I have a deep understanding of gilt bronzes. Iron figurines have been seen in the antique market. They belong to tin and iron wares. They are small pieces and I have never seen such a large one. Iron was very expensive in ancient times, such a large iron figurine, not to mention the other, is that the consumption of the hopper is very amazing. Second, the iron is not easy to save, it is too easy to rust, there are many Ming Dynasty iron Buddhas, but they are actually hollow .
If the overall workmanship of this thing is the same as the iron block of the stuffy oil bottle, it is basically solid. It may contain things in it, but it will not be in space. It may be very heavy. Such a heavy thing, is it a big iron magical implement of Buddhism, what kind of demon is used for locking?
I am cranky, but I know how it is impossible to come up with a reason. Everything has no lead, and it is not useful to think about it.
Originally wanted to see the patterns on the iron figurines, but the rust was so bad that I couldn't see the whole thing, and I couldn't see it anywhere else. Panma once said that there are many iron pieces. Is there more than one iron figurine here?
But the surroundings are empty, there is nothing, such a thing is so big, it is impossible to be crushed under those collapsed objects and cannot be seen. Where did the iron pieces taken away by the archaeological team be recovered from?
Is it true that every Yao village here has the same iron figurines distributed throughout the village? Or is it hidden elsewhere in the ancient building?
Turned his head subconsciously and saw the door behind.
Recalling the photo, there is a corridor on the side of the screen. I adjusted my position and found the corridor on the photo, which is the back door of the back hall.
In an ordinary old house, this gate should be the first to enter the courtyard, but there is only the front door of an ancient building, so after this gate went out, outside is the blue stone street of the ancient village, it can not be a corridor.
However, in my memory, the door frame in the photo is exactly the same as here. There is no doubt that the shooting location is here. How can there be deviations? Was there a hallway when the photo was taken, but it was later demolished?
My concept of time is completely confused. It seems that the time when the photo was taken and the time when the ancient village was sunk must be reconsidered.
Take a closer look, and the carved door shows no signs of decay at all. I took a hand and found that it looks like wood, but it is actually an iron door. Then I used the searchlight to take photos, and for a moment I didn't see the bluestone road outside. Behind this door, there was really a corridor.
The corridor is not flat, but it slopes down to the depths of the underground. The situation on both sides is exactly the same as in the picture. I am a spirited person, do n’t you think?
According to this structure, the back door of the back hall is connected to the corridor, and the corridor leads to the underground. Is it true that the ancient house has a backward entrance, but it is built underground?
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