Vol 10 Chapter 1094: Shinji training plan (4)

Of course, as the producer of the animation itself, Lin Yan is also very experienced. This is not really difficult. The real difficulty lies in how Lin Yan himself will make this game.
First of all, for the production of this game, Lin Yan needs to re-produce the blueprint of the game itself, which naturally benefits the animation itself.
First of all, Fentian has the most cutting-edge picture production technology in the industry, and these technologies can also be used in the process of making animation.
Lin Yan can use his own powerful picture production technology to carry out a brand-new shaping of the entire animation. To what extent can the game produced by Burning Sky reach, then the animation itself can achieve what kind of degree.
Therefore, in the production of the game, Lin Yan wants to abandon the hand-painted and flat warrior technology of the previous work. Lin Yan wants to shape the animation of Evangelion into a 3D animation series like Qin Shimingyue.
Of course, this animation Lin Yan himself will not consider the update mode like One Piece or other such as Qin Shimingyue.
The animation time is not long. Lin Yan intends to adopt a TV series-like mode in the broadcast method. The duration of one episode is one hour. Overall, a fifty-two animation 3D series will be produced. This can be said to be A very popular existence.
At least the current audience may not pay much attention to the meaning of the work itself, but they pay a lot of attention to the appearance of these things. Therefore, first of all, in the appearance of the animation itself, Lin Yan himself must To be in place.
Secondly, in the plot of the entire game, Lin Yan must re-expand it by a large margin, which is also a must.
You must know that Lin Yan's current position for this animation is one hour per episode, and then a large-scale animation series of fifty-two.
What kind of concept is this fifty-two level? The Korean dramas that are generally watched online nowadays are one-hour episodes, and fifty-two episodes are fifty-two hours of animation plot time.
In the original Neon Genesis Evangelion TV version, one episode counts the time of the opening and ending songs, and the length of the full episode is 25 minutes, and there are only 26 episodes. In this case, the length of the single episode Above, the plot time between the original version and Lin Yan's new work is almost two-thirds different.
In terms of the number of gatherings, the difference is even more doubled. In other words, the plot time of the original version can only reach as much as Lin Yan thinks now, one-seventh-eighth, and in terms of the plot structure of the original version, if in the middle Without a lot of watering, or even if there is more water than the main plot, then this animation will not be able to support it at all, and it will not be possible to produce it at all, at least the number of plots is not supported at all.
But if a large amount of water is used, it is equivalent to completely ruining such a classic. This is also not acceptable to Lin Yan himself, not to mention an audience more sophisticated than a monkey, so Lin Yan must have it. To reshape the plot of this animation.
At the same time, the plot of this animation itself is also the plot basis of the entire game. The plot quality of the animation directly determines the plot quality of this game, as well as the quality of subsequent derivative products, and so on.
It can be said that it definitely affects the whole body. Of course, Lin Yan also has his own ideas on the main plot of the animation.
In general, if you want to add a few keywords in this animation to summarize the next, this New Genesis Evangelion, then it is passion, depth, emotion, combat and tactics.
Lin Yan’s positioning of the new plot is not just a simple animation, or that Lin Yan’s idea of ​​shaping this animation this time is far less simple than that of Anno Hideaki. In addition, this animation Lin Yan’s positioning It's not about children under the age of twelve, but a group of teenagers and young people over the age of fourteen. Even if it is said that it is not capped, there is nothing wrong with it.
Moreover, Lin Yan's shaping of the protagonist and so on has to be re-produced. It is impossible for Lin Yan to save the world for a young boy of at least fourteen years old, and he also believes that, for the public, in a picture In a 3D animated series with almost real-life effects, a group of children who are still in junior high school face the most dangerous things in the world, and then they have to talk about love, or show some ambiguous feelings...
It can only be said that the eyes are hot, so Lin Yan will not continue to let a group of fourteen or five-year-old children be the protagonists, but at the same time they will not be very old, so Lin Yan's positioning is Lin Shinji, Ling Major characters such as Polly, Asuka, and Kaoru are all shaping the appearance of young men and women in their twenties, and let them play the protagonist.
At the same time, this animation will no longer put pressure on the content of the whole story. In general, Lin Yan wants to make this story in an aesthetic and mysterious atmosphere full of hope, at least the final ending should be a good ending, no It is said that everyone is happy, but at least what Lin Yan wants is a beautiful and warm ending, not a poignant tragedy, or a lot of open endings that people can't understand.
Lin Yan himself has always had a principle, that is, if no sequel has been determined, then there is no need for an open ending in the final plot of a work, and the audience is left to brainstorm for the next plot. It is a bad habit.
To put it bluntly, what is the essential difference between an open ending and a bad ending? Maybe the difference is that in the former, I have finished all that I have to say, but I am too lazy to write the ending. You can make up for the later ending plot.
The latter is that I can’t write this story anymore. You can make up most of the latter part by yourself...
It can be said that there is no difference between the two. Although the ending of Evangelion’s previous work is actually very clear, the space that can be supplemented in the end is still very huge, even in the end, Lin Yan I don't understand what is the last thing to say in the whole ending.
This leaves too much room for the audience to imagine in the end. Maybe Anno Hideaki has his own deep meaning in doing this, but the audience does not want a huge imagination space, otherwise they will be finished at home, and it will cost the electricity to spend the time constantly. Do you look at Jiji?
It can be said that what the audience wants is a clear ending, not an open ending. The latest chapter of Game Development Madness: https://EbookFREE.me/book/113064.htmlReading the full text of the game development crazy god: https://EbookFREE.me/read/113064/Game development crazy txt download address: https://EbookFREE.me/down/113064.htmlGame development crazy mobile phone reading: https://m.EbookFREE.me/read/113064/For the convenience of reading next time, you can click "Favorites" below to record the reading record of this time (Chapter 1094 Shinji Breeding Project (4)), and you can see it next time you open the bookshelf! If you like "Game Development Crazy God", please recommend this book to your friends (QQ, blog, WeChat, etc.), thank you support! (EbookFREE.me)