Chapter 347: The pursuit of self


"Do you know, Kate, my full name is Famik Berman Jensen. Actually, my nickname is Fang Ji, Mom and Dad call me like this, but Eric has been calling me Fami, a few days ago. I couldn't help but correct it, and then he said that he was right, and he was looking for a lot of reasons. It was really interesting and anxious, hehe."
Catherine Bigelow glanced at the two men and then went to Famik Jensen: "He is a little guy who is just twenty years old. It is inevitable."
"The little is almost the same," Famik Jensen said in a special affection between the couple.
Catherine Bigelow also whispered: "In fact, Jim is the same, both of them are paranoid."
"Hey, Fami, I can hear 15 ears in both ears. Don't think I can't hear you." Eric, who was discussing the special effects with Cameron, suddenly raised his head and revealed a new way to Famik Jensen. Threatened eyes, and Cameron also looked up at his wife and smirked at the corner of his mouth.
Catherine Bigelow screamed dissatisfiedly: "Today it should have been to discuss the "surprise point". You two are wasting my time now, I have not said anything, what qualifications do you have to express dissatisfaction? ?"
Eric watched the watch. It was already ten o'clock. The Cameron couple came over at nine. Now it has been more than an hour. Cameron also realized this and reluctantly said: Eric, can you show me the scripts of those disaster films, and then you can go and talk to Kate about the movie."
"Of course no problem," Eric opened the safe. I took the script of several movies, such as Tornado, and handed it to Cameron: "I don't intend to direct all of them myself. I look at it. If you are interested, you may choose to personally direct the director."
Cameron nodded unmistakably, although the ideas of these films made him very interested, but ultimately can not cooperate, but also depends on the quality of the script and Eric's conditions. Because of the "Piranha 2" thing, Cameron hated others for his director's film, and Eric is obviously a guy with strong control, if Eric does not give him enough control. Even if Cameron is very interested, he will not take over the project.
After taking over Eric's script, Cameron eagerly turned over the top of the "Tornado" and quickly entered the plot.
Eric came to the sofa and sat down next to Famik Jensen, to the other side of Catherine Bigelow: "Ms. Bigelow, show me the script of "The Shock"."
Catherine Bigelow took the script of "The Shocking Point" from the bag that he had been carrying with him. He also came with a seven or eight-page deputy book: "The above is the script, the following is what I did with Jim these days. The budget came out, about 20 million US dollars."
The $20 million budget is very conservative for this project. However, Catherine Bigelow's tone is still a little unconfident. The films she has directed before are only a small cost of two or three million.
Eric put the budget table aside and looked at the script directly.
The hero is a rugby player named Johnny Utah who had to give up this career because of a knee injury. After the graduation of the police school, he was a detective.
Eric feels that this setting is very interesting because Catherine Bigelow's favorite actor is Keanu Reeves. In reality, Keanu Reeves was originally a promising hockey player, also because of a knee injury, and finally turned into an actor.
A group of crazy bank robbers appeared in Los Angeles. They wore masks of the former presidents of the United States and robbed more than 20 banks in a row. However, because these people were very restrained, they did not covet the bank’s vault, but only for a short time. In 90 seconds, the cash in the bank counter will be swept away and the way will be hurriedly left. The means are clean and neat, leaving no traces, so they frequently succeed, f forced to do nothing.
Young and frivolous, filled with passion, Johnny Utah convinced his boss, Angelo Pappas, that a depressed and always immersed in the glory of the past, the two men embarked on the pursuit of this group of crazy fugitives. Journey.
In the clues of more than 20 robberies in the past, Angelo Pappas locked the identity of the robbers on a group of surfers. In order to get close to the surfers at Ladigo Beach in Los Angeles, Johnny Utah began to learn to surf, and Making up a parent's identity as close to the beautiful surf coach Taylor Dickert, while the two of them have feelings, Johnny knows crazy surf enthusiast Botti through Taylor, Johnny soon found that Bodie and his companions are very It may be that group of bank robbers, and finally through the final trace of Bodie, finally determined this.
But Bodie and his partner escaped from the hands of Johnny and Angelo in the process of robbing the bank again, and the identity of Johnny f was also exposed.
Because there was no sufficient evidence, Johnny could not directly arrest Bowie and others. After discussing with his companions, Bodie kidnapped Johnny's girlfriend, Taylor, to threaten Johnny to do what he said.
Bowie took Johnny to the last time to rob the bank and go skydiving together. In the end, Johnny’s deep-rooted madness factor was provoked and resonated with Bodie. In the last arrest, Johnny untied Baudy's handcuffs, letting Bodie step on the surfboard and heading for Australia's 50-year-old astronomical tide. He himself will also force the detective's badge. Throw into the sea.
Although many of the ideas in the script are somewhat far-fetched, in general, this is a story of self-seeking.
Johnny Utah thought that his goal was to become a top-level detective. For this reason, he could do whatever he could, for example, in order to approach Taylor without pressure to fabricate the lie of his parents, but in the end, Johnny discovered that he became A f-force is not what he wants, it will only make him a person like his boss Angelo Pappas, Angelo is an elite, in order to explore some of the essential oil left by the robbers. Use, Angelo Pappas has studied hundreds of essential oils and even become an expert in this field, but he is still a frustrated person who is difficult to promote, but he is younger than his mediocre colleagues. He is on his head. (To be continued...)
Chapter 347 The Story of Pursuing Yourself:
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