In fact, although both commercial films and literary films are films, in many cases, the intersection between commercial film directors and literary film directors is actually very limited.
When the Chinese film market was relatively small, the living space of commercial films was naturally limited, so many literary and artistic filmmakers appeared at that time.
But if you really say that they are only for art, they are not at all, because in those years, commercial films were actually a thankless thing.
When a market has a box office of only a few hundred million Chinese dollars a year, what can commercial movies make?
On the contrary, it is a literary and artistic film. In that year, if you can get an award in Europe, you will not only earn fame, but also profit.
In fact, to put it plainly, the environment is different.
Now that the Chinese film market continues to expand, and the top box office of commercial films can reach billions, then naturally, it will begin to occupy the mainstream.
As for the directors of literary and artistic films, if you pay attention to them, you will find that their films are increasingly difficult to be recognized by European film festivals, and they often lose money.
And these filmmakers in the literary and artistic circles usually shout every day that the official review should be changed, that they should be loosened, and they yelled that the box office should not be the only theory, but the other side said that the official should introduce a support policy for literary and artistic movies. Otherwise, literary and artistic movies are really going to die!
Therefore, Wang Yifan actually does not like to have any intersection with these people. He finds it troublesome, Ge Ying!
Of course, he doesn't mind showing respect to each other on the surface.
As for trying to shoot more in-depth movies, Wang Yifan is telling the truth. Maybe after more than ten or two decades, he will try it when he reaches the age of the other party, but at this stage, he will definitely not make that kind of movie. .
"This is Director Chen Qiang!" Ma Qingshan introduced to Wang Yifan another middle-aged man who was about 40 years old.
In fact, Wang Yifan was also a little curious about what identity Chen Qiang was, so he could actually invite Ma Qingshan to watch the film.
"Director Wang's name is like Lei Guaner, but I didn't expect that a box office director could write a deep story like "To Live". Director Wang, is "To Live" really your work?" Chen Qiang To be honest, Wang Yifan is a bit strange, he seems to have nothing to do with the other party, but this Chen Qiang looks condescending, Wang Yifan has not been treated like this for a long time.
Moreover, Chen Qiang's words also made Wang Yifan disdain to do superficial work.
In fact, Chen Qiang's words also made Ma Qingshan's face turn pale.
But before Ma Qingshan could interrupt, Wang Yifan smiled disdainfully and said, "It's your shit!"
"Lao Ma, are you sure this is your friend?" When Wang Yifan looked at Ma Qingshan again, his tone of voice became a little impolite.
Ma Qingshan's face changed uncertainly, and then he sighed and looked at Meng Jian and said, "Lao Meng, if the people in the Artist Film Association are like this, then it's no wonder that literary and artistic movies are getting more and more declining, and I don't want to make good shots. Movies, the secretive activities every day, it’s no wonder that one year is worse than one year."
Meng Jian's face is also extremely ugly. He has always regarded himself highly, even Ma Qingshan, he actually doesn't look very much at it, because he thinks Ma Qingshan is not pure.
Now that Ma Qingshan pointed his nose to curse like this, where did he put his old face?
And Chen Qiang's expression was even more ugly. It was only then that he was relieved, and he couldn't help but regret it.
"Director Ma, it seems that I want to suggest that Huaxin revoke the support for the art theaters. If we spend money to raise people who don’t know the so-called, then I don’t think such support and support are of any use. That money, I might as well train a few more new directors." Wang Yifan said indifferently.
Wang Yifan's words not only changed Ma Qingshan's expression, but also the other people in the literary and artistic circles present were extremely difficult to look at.
They were awakened suddenly. Wang Yifan's humility gave them some misleading and made them forget that Wang Yifan's identity is not only a director, but also the first person in the domestic commercial box office.
At the same time, it is also the major shareholder and soul man of Huaxin, one of the major giants in China.
Others' words, perhaps they would think that the other party was talking big and boastful, but Wang Yifan's words, no one thought they were false.
Because he is fully qualified and able to do this.
Of course, not everyone is as strong as Chen Qiang. In fact, many literary and artistic directors don't know how much they envy commercial film directors. After all, who doesn't want to live better? Who doesn't want to make more money?
Maybe there are indeed some real art movies that are fascinated by it, but there are obviously not many such people.
And why are there still some literary and artistic film directors, every time a movie is released, they will think of various ways to try to get the theater to arrange more films for them?
What for? Of course, I hope to make the movie box office better.
Therefore, the gaze they looked at Chen Qiang became a little uncomfortable.
So who is Chen Qiang?
In fact, this Chen Qiang is really in the literary circle and his status is not low.
Because he had won many international awards in his early years, but unfortunately, after winning the awards, he was a little bit swollen. He shot some banned films under the ban, filmed them without obtaining permission, and then went abroad to participate in the exhibition.
And the subject matter was not liked by the official, so it was banned for a while.
After his comeback, he also made several movies. Although it is not as popular as it was then, it has also won many second-level film festival awards.
It may not be a big deal in the past, but in the present, the Chinese literature and art movies have declined, and now that they have been unable to win any important international awards for many years, Chen Qiang's awards are already very good.
Therefore, there are a lot of people who usually praise him, probably because of this, it seems a little inflated.
But now, Chen Qiang regrets it, but he has said everything. It is impossible for him to take it back. As for Wang Yifan?
Does he want face?
When he was making the movie, Wang Yifan didn't know where to stay.
"Chen Qiang, apologize!" Meng Jian couldn't get off the stage.
The key is that Chen Qiang’s questioning is really too low-level. It is not the story written by Wang Yifan, but who did you say wrote it?
Just because you don’t believe it, you can question it?
Really think Wang Yifan is just letting it go?
Meng Jian is no longer a pure filmmaker. He is the vice chairman of the Artist Film Association. How could he not know Wang Yifan's influence?
In fact, they came today because they wanted to benefit from Wang Yifan.
But Chen Qiang's words directly made Wang Yifan clearly angry.
And if today’s incident did not give Wang Yifan an explanation to satisfy him, then it is conceivable that if this incident spreads out, others will not say what it thinks.
It is estimated that his vice chairman will abdicate!
