Ma Qingshan has enough qualifications, enough prestige, and the key is that his character can be.
"Me?" Ma Qingshan was taken aback, but then smiled and said, "You, this matter, wouldn't it be better if you cooperate with the Artist Film Association?"
Wang Yifan said disapprovingly: "Yes, but I don't like that group of people, so I put them aside, just don't want those self-righteous guys to think that they are really representatives of art and film."
"The enemy should be settled but not settled, you..." Ma Qingshan couldn't help but smiled bitterly.
"In short, I can support literary and artistic movies. It is no problem for one hundred million a year, but what I want is the kind of people who really make movies with their heart, not the kind of people like Chen Qiang." Wang Yifan disapproved.
"I..." Ma Qingshan became more and more bitter.
Don't look at this matter as if Ma Qingshan's dominance can make Ma Qingshan gain a huge reputation, but in fact, this is equivalent to separating Ma Qingshan from the group of people.
It is conceivable that at that time, there will definitely be many "relationships" who would like to ask Ma Qingshan for a bargain, but it is naturally impossible for Ma Qingshan to do so. Then the problem is here, which is equivalent to this plan. People who have a better environment for literary and artistic movies are directly hitting their faces.
What will outsiders think?
Haha, the Artists Film Association, hasn't it always been committed to making Chinese literary films better and better? Are you committed to helping the development of literary and artistic films better and gaining more and better resources and environment?
But the result?
The people who supported and supported literary and artistic movies with the greatest strength had nothing to do with them. Where did Meng Jian and his group put their faces?
Is the existence of the Artist Film Association still necessary?
It is extremely ironic that they will soon discover that the literary and artistic film support program has been greatly appreciated, but it has nothing to do with them.
In other words, their efforts are all empty talk.
To put it bluntly, it's just that the strength is not good, and it can only talk about it!
However, he knew this was the case, but Ma Qingshan couldn't refuse, because it was a huge good thing for China's literary and artistic film industry. If Wang Yifan dismissed this idea because of his refusal, then who would Ma Qingshan become? Not people inside and out.
Therefore, there is nothing to hesitate. It is the group of artists from the Artist Film Association that really disappointed him.
Wang Yifan also handed this matter to Huaxin, a comprehensive film and television media group, and it is impossible to make all commercial films. In fact, Huaxin also releases some loss-making films every year.
Without him, it's just being famous, and it's an alternative public welfare in the entertainment industry.
New Star Guidance Program is so famous that even overseas have come to actively seek cooperation, so New Star Entertainment has a very mature process in this regard.
However, Wang Yifan's support plan for literary and artistic movies and the new star guide plan are completely different things.
The biggest charm of the New Star Guidance Project is that for potential new directors, funding is actually second. The most important thing is those projects!
When making movies, in fact, what many newcomers are most afraid of is not that the first work will not attract investment, but that they are afraid that the first shot will be dumb.
Successful directors can be allowed to fail, but for new directors, if the first film fails directly, on the one hand, their self-confidence will be hit, and on the other hand, it will be difficult to invest again.
So the first movie is the top priority.
But the support plan for literary and artistic movies is completely different.
This kind of movie shows that it is not for making money. Therefore, it is naturally impossible for new stars to provide the projects of this plan, but the directors themselves bring the projects.
In fact, there are many popular movies on the market. These movies are indeed good movies, but they are not popular.
The literary and artistic film support program is aimed at such films.
The details have not been worked out yet, but the gossip has already spread.
Although this news has not yet been confirmed, it immediately sparked an upsurge of discussion.
"This bull, Wang Yifan, this is the rhythm of being the godfather of Chinese movies!"
"Yes, there is a new star guide plan for commercial films, and now we are launching this literary film support plan. This is to focus on both business and art."
"I just don't know how big the scale is, I hope it's not selling dog meat."
"Wang Yifan definitely has this ability. The money he made from making a movie is enough for this kind of support plan to lose money for several years."
"Wang, not bad money, Yifan, Niubi!"
For a while, the people on the Internet started discussing this matter.
And some new directors of literary and artistic films are all excited. In fact, many directors from majors, most of the time, learn more about literary films.
Usually, when they first started, they don't think about making those popcorn commercial movies, but hope that they can apply what they have learned and make in-depth movies.
However, they are often slammed by reality, and eventually become obscure.
If you look at it seriously, in fact, most of the current commercial film directors are not from a major, which is very intriguing.
On the other side, everyone in the Artist Film Association was dumbfounded.
Then, someone quickly began to inquire about people who had some friendship with Wang Yifan and others, or with Xinxing Entertainment, Huaxin.
But the result is that they are a little panicked.
In particular, some literary and artistic film directors who eat their own money, they actually rarely make movies on their own. Every time they stand in a relatively high position and look down on other directors, commenting on their works.
The beautiful name is to speak for literary movies.
But now, this thing, this thing that has great benefits for literary and artistic movies, has nothing to do with them, is it worth it?
"Lao Ma, what is the situation with this matter?" Meng Jian called Ma Qingshan as soon as he got the news.
"What's the situation? You've done bad things yourself and irritated others. What kind of situation do you say?" Ma Qingshan said in an angry manner.
"This plan is very important, Lao Ma, you are also a director of the Artist Film Association. There is no reason to abandon the association?" Meng Jian frowned and asked.
"Hehe, you take the Artist Film Association so seriously, but you don’t know that people don’t take it seriously, do you think I’ve never persuaded you? But when you ask for help, you don’t have a begging attitude. Instead, you have a condescending attitude. I blush for you. What qualifications do you have? Who is Wang Yifan? He is the first Chinese commercial film director. He is called the light of Asia. He is a billionaire with a wealth of tens of billions. Chen Qiang dared to question face to face. He? Lao Meng, don't tell me that you don't know about this. Without your acquiescence, Chen Qiang would dare to say that kind of thing?" Ma Qingshan said sarcastically.
