Because this role is very contradictory. It is also destined that this role will cause the biggest controversy.
She is the wife of a human trafficker. From this point, she will be hated by countless people and blamed by countless people.
But at the same time she is also a mother, and at this point, even if you hate her, you can't deny that she is full of maternal love in motherhood.
Therefore, this role has become extremely important, no less important than Tian Wenjun's role.
"I really don't have any suitable candidates, how about you?" Wang Yifan said, shaking his head.
Wu Tianxiong pondered for a moment and said, "I have a choice here, Xu Hong, does Director Wang know?"
"Xu Hong?" Wang Yifan frowned.
How could Xu Hong not know that Xu Hong, the actress, is the lowest-key actress.
In this respect, she competes with Chen Bu, and is also an experiential actor.
However, Xu Hong is notoriously difficult to deal with. Wang Yifan has seen some of her works. To be honest, she is indeed more suitable.
Because Xu Hong is different from other movie queens in that her roles are more down-to-earth. For this reason, she also has a name called "The Most Earth Shadow Queen".
But it's hard to say because Xu Hong's acting is very domineering or stubborn. Many directors have been beaten by her.
This is a well-known thing, but for many big-name directors, this is not a problem.
Wang Yifan laughed quickly, why did he think so much?
Anyway, the director of "Dear" is not him.
"I have no problem, you are the director anyway." Wang Yifan was quite gloating.
Wu Tianxiong shook his head dumbfoundedly and said: "Actually, I have worked with her. She is not that difficult. She just has her own thoughts about the role. However, it is said that it is difficult to make mistakes."
"It's fine if you know it in your heart. I still said that, you are the director!" Wang Yifan said with a smile.
...
There are still a lot of things about Wang Yifan. Since he is going to hand it over to Wu Tianxiong to direct "Dear", he will not cling to it.
This is also the most comfortable thing that many directors have worked with Wang Yifan.
In China, there is a director-led system, and most directors will never like to be pointed at.
It just depends on whether there is the qualification to not be criticized.
Therefore, even for "Dear", Wang Yifan did not actually intend to do too much in the actual shooting of the movie.
The so-called hiring does not doubt that the suspect does not use.
Since he found Wu Tianxiong to direct, then he must be trusted!
In fact, Wu Tianxiong did a good job. In the preliminary preparations, Wu Tianxiong, Ge Jun, Xu Hong and others all decided to stay with people from the Family Seeking Mutual Aid Association [Xbooktxt www.xbooktxt.info] for at least one month.
Neither Wang Yifan nor Huaxin in "Dear" is too publicized. After all, this kind of movie really doesn't need to be publicized too much.
On the other side, a variant version of the New Star Guidance Project, after the third phase of the "Horror Film Theme" New Star Guidance Project and the project to support literary and artistic movies, the New Star has launched another plan.
Realistic movie support plan.
Of course, this time he didn't use the name of the New Star Guidance Project.
The main thing is to support some realistic film projects in terms of funding, publicity and distribution.
Wang Yifan has to be busy with the preparations for his own "The Monkey King".
This is Wang Yifan's largest investment and largest film so far.
The scenes, special effects, etc. of the movies involved are also the largest and most numerous.
The previous "Edge of Tomorrow" actually looked like a big scene on the whole, such as aircraft carriers, fighter jets, tanks, etc., but in fact these shots were just background shots.
The real "Edge of Tomorrow" special effects shots, although there are many, but compared to "Monkey King", they are still worse.
Because of "The Monkey King", this movie was divided into four parts by Wang Yifan.
The first part is the story of Monkey King who came back from Fang Cunshan to learn art and met his first love in Huaguoshan Shuiliandong.
In this first part alone, there are several scenes involved, one is Huaguoshan Shuiliandong, the other is the Demon Cave of the Hunshi Demon King.
And many "junior" fights, all of which require special effects to handle.
Movies are different from TV dramas. The scenes need to be very sophisticated. Although you can find suitable photography venues to shoot, it is difficult to have the taste of "paradise on earth" and "floating in the sky" in real places, and these are all Things that take time and money to do.
In the second part, the story of the East China Sea Dragon Palace finding the Sea God Needle, not to mention, it is necessary to build the Dragon Palace and other big scenes.
Moreover, in underwater battles, many people may think that there is also such a section in "Journey to the West" in the TV series. It doesn't seem to be too difficult, right?
But in fact, if it is made into a movie, if the effect is the same as that of a TV series, it will really hit your hands.
In the third part, encountering true love requires scenes such as the underworld and Xishan Jianhu.
Not to mention the battle with the fairy soldiers of the Heavenly Court.
So "The Monkey King" is definitely a big project.
Although Wang Yifan doesn't need to know everything about the scene in the early stage, he always needs to make a decision, right?
Wang Yifan is busy with "The Monkey King", so I won't mention it for now.
However, in the island country, with the release of the third phase of the new star horror program such as "Ghost Call", several of them are actually "big sellers" in a row.
For a while, it can be said that many domestic giants are jealous.
They naturally speeded up the filming speed of the movie.
Several co-produced horror films were quickly released. Of course, the main market for horror films is in Asia.
Island countries, stick countries and other markets.
In fact, domestic giants have been operating in these countries for many years, and their distribution channels are really not comparable to the newly emerging Huaxin Group.
Therefore, they do this kind of thing really faster than Huaxin.
In fact, at the current level of these domestic film and television giants such as Jiuzhou in the prosperous Tang Dynasty, Times Light and Shadow, whether the film can make money, it is really not what they value most.
What they value is the performance of small-cost movies such as horror movies and mystery movies in the Asian region.
Simply put, what they want is influence.
Because it can stimulate their company's stock price, a single point of fluctuation is billions of ups and downs.
This is much faster than making a movie at the box office.
This is also one of the reasons why there are so many films selling dog meat in China, which are obviously bad films, but actually turned out to be good at the box office.
These bad movies want to get good data, and the money for publicity and hype is a lot.
