Chapter 1446: Sunglasses King

Everyone who succeeds must have a characteristic.
That is reluctance.
Never give up.
Those who give up as soon as they encounter setbacks will certainly not succeed, at most it is only a temporary success, not lasting.
You said that if Ma Yun became a millionaire after he succeeded in the Yellow Pages and began to be satisfied with the existing achievements, then there would be no more great successes behind.
After Shi Yuzhu's fiasco in the Giant Group, if he is discouraged, he will not come back in the future, more than in the past.
Yin Jun had no way to evaluate whether Li Zhi was a successful person, but only three days later, Li Zhi came to Yin Jun's office again.
She said such a sentence.
"I stayed with the patients for two days in Qingshan Mental Hospital, and then I still feel that if I don't try it, I will not be willing in my life."
So Yin Jun nodded and motioned to understand.
When Li Zhi left, Yin Jun thought about it and called his third secretary Yue Yue, and called Kirin Films over there.
Soon after, there was a young man with a Chinese character in Yin Jun's office.
To be honest, Yin Jun has never really seen Wang Jiawei wearing sunglasses, so now he suddenly sees it and is still a little uncomfortable.
The first reaction of the teenager is, should I find him to wear sunglasses?
Then he smiled and shook his head.
Yin Jun's move made Wang Jiawei somewhat inexplicable, but the tension in his heart suddenly disappeared a lot.
None of Xiang Jiang's screenwriters do not worship Yin Jun.
The scripts written by Yin Jun alone, whichever one is taken out, are classics.
In such a script, ordinary people write one, it's good, two are first-class screenwriters, and three can be called ace.
The problem is that Yin Jun can't write less than fifty!
And the most frightening thing is that no one knows how many ideas Yin Yin has in hand, and how many scripts have been written but not taken out.
This is where Wang Jiawei feels the most powerful.
People have done things that others can't do well in their lifetime in their teens. What a genius this should be to achieve such an achievement.
For genius, of course, I have to admire.
Thoughts flickered away, looking at the well-known sunglasses king in the future a little nervous, Yin Jun did not mind.
He has already met even Xiao Xiao. From the comparison of identity coffee, it is just a director, and he is still so unfriendly to mainland filmmakers. How can he be pleased?
"How long have you been in the unicorn culture?" Yin Jun asked, sitting in his chair.
"More than two years." Wang Jiawei replied carefully.
Apart from being in the studio and during other shootings, he was never a vocal person, not to mention that now he is just an unknown.
"You want to be famous."
"Ok!?"
"You don't just want to be a famous screenwriter, you also want to be a big director, make a movie you want to make, want to be famous, and become the best director in Xiangjiang." Yin Jun said lightly, "I said Is it right? "
What does Jun Shao want to do?
What does he mean?
Wang Jiawei's brain quickly turned.
After hesitating for about a minute, Wang Jiawei gritted his teeth and nodded, "Yes!"
"Why?" Yin Jun asked.
Wang Jiawei looked at Yin Jun's complexion, and did not mean to look down on with irony, but he was slightly relieved in his heart.
Moreover, in the rumors, Jun Shao is not a bitter person.
The term Wenrunruyu was specially tailored for him.
He must have thought out this question.
Anyway, he is nothing, and there is nothing to lose, it might as well be frank.
After thinking about it, Wang Jiawei replied: "I don't give up, and I am willing to work hard for my ideals. Although my talent is not good, I believe that as long as I am serious about doing it, then I will be successful!
Does Wang Jiawei have talent?
Of course there is!
And it's an excellent talent.
He has a very keen instinct for the sense of the lens that captures the picture, as well as the kind of mysterious and mysterious but momentary picture that can impress the audience.
Sometimes, when we watch a movie, we do n’t remember it deeply because the movie is full of excitement.
For example, for Marvel movies, you just watched them at the time, and then forgot.
But for some other movies, maybe it did n’t feel so good at the time, or even a bit bad, but when you think about it later, when you think of a picture and a sentence there, you will suddenly fall into it and you ca n’t forget it.
For example, the poignant and unparalleled footless bird, such as Su Lizhen and Zhou Muyun passing by again and again, such as Li Yaohui sitting alone on the subway ...
These are brought to us by Wang Jiawei.
It cannot be said that everyone thinks it is a classic, but many of the fragments in it are very touching.
Such a picture and feeling can only be expressed by another director in China.
He is our master of the national teacher.
On a par with Zhang Yaomou, Wang Jiawei's talent is not enough, so I really don't know who can become a literary director.
What Wang Jiawei said now is actually what he will practice in the future.
From the debut of "Carmen in Mong Kok" in 1988, until 2018, 30 years later, Wang Jiawei had only 10 works published, with an average of one shot every three years.
He takes every movie seriously.
You can say that Wang Jiawei is not good-looking. He can be said that Wang Jiawei is a wasteful king, but absolutely no one said he was not serious.
He made no bad films himself.
All of these were polished by his own carefulness, and the pictures were shot well, and the good results finally came out.
"Recently, Mr. David Lean, the national treasure director of the British, is preparing to make a novel" The Journey to India "by British writer Fords. Yes, he is now preparing the crew in Hollywood and the UK. You can clean up and go to the US here to be the assistant director of David Lean. "
Wang Jiawei's eyes lit up, and he blurted out excitedly: "I have read the book" Journey to India "! I also like to watch the movie of Mr. David Lien !!!"
Yin Jun stunned for a moment, and immediately smiled.
Almost forgot, Wang Jiawei also likes the same-sex theme. The book written by the same-sex writer, Fords, may have something to do with him.
David Lien and Wang Jiawei are also somewhat similar.
The two have made very few movies in their lifetime, and the topics are equally rigorous. They don't like commercial movies ...
But there are also differences between the two.
Although the film made by David Lien is profound and full of literary expression, other people's films can be understood by ordinary people.
The ordinary people in Wang Jiawei's movies seem a little inexplicable.
Even those young literary and artistic people who wrote comments after knowing about and knowing about Douban, Yin Jun was worried that they didn't understand it, just extracting the fragments from my YY.
Maybe, let David Rein help teach Wang Jiawei, will he change some of the bad habits of Sun King?
For example, it is more sincere to present a good story to the audience, rather than the broken fragments, which can not be understood by the general public?
These words are what Yin Jun imagined.
David Lean will certainly not deliberately teach Wang Jiawei what, and Wang Jiawei will certainly not give up his own way because of David Lean.
If he went to learn David Ryan, then at best it was a small David Ryan, not a Wang Jiawei.
But who can make it clear?
In case Wang Jiawei just learned a lot and integrated it into his own movie, so he knows how to make a movie better than his previous life?
If that's the case, Yin Jun will benefit Chinese movies.
An enhanced version of Wang Jiawei cannot be said to surpass Li An, but it is also very likely to be close to Li An's level.
Almost all of Li An ’s film knowledge and theories come from the United States. Therefore, most of his films show the style of the United States, which is not a very orthodox Chinese director.
Wang Jiawei is different. His bits and pieces are all derived from Chinese culture. Even if he deliberately adds some Western styles, every inch of his bones is Chinese.
Both Li An and Wang Jiawei have made same-sex movies.
One shot was "Broken Mountain".
The other is "Spring and Summer".
"Broken Mountain" won the Oscar for Best Director Award, "Spring Break" won the Cannes Best Director Award ~ EbookFREE.me ~ Chinese people's achievements in the film, the highest is the Cannes Film Festival , So you ca n’t say for sure that the grades of coffee in "Chun Guang Xia Xie" are much worse than "Broken Mountain".
Even the same type of movie and the same excellent movie are completely different in terms of expression.
For the Chinese, it must be "Spring and Summer" that feels better.
Therefore, if Yin Jun wants to promote the literary director, it is definitely good to push Wang Jiawei.
Wang Jiawei took the movie out, everyone will know that this is a movie from the East, and a movie from the Xiangjiang of Huaguo, which belongs to the culture of Huaguo.
Li An's words ...
His nationality is all American, and he knows more about American art than Oriental art. When he went out, people never said he was a Chinese cultural communicator. He was just a communicator of American culture. That's it.
Wang Jiawei's temperament is not as smooth and cunning as Li An's, so it is better to communicate and communicate.
After all, he and Yin Jun are both Xiangjiang people, and they work in Yin Jun's company. Even if they establish their own portals later, they will be greatly influenced by Yin Jun.
Wang Jiawei is also very interesting.
You can hardly find his presence other than when the movie was started. He is quite a low-key person.
Such a director is more at ease in use.
Coupled with Yin Jun's restraint, he will certainly not be as aggressive as the previous life, hurting the feelings between the filmmakers of the two places.
To put it bluntly, there have been more Xiangjiang filmmakers like Wang Jiawei in those years.
They are just because the Xiangjiang movies have completely declined, and the mainland movies are booming, and they seem a bit sour!
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