Chapter 1651: Those Fengyun directors

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Fiction: Author rebirth of the strongest life: handsome only Word Count: 4230
Tang Jili, next to him, looked at Yin Jun to teach Zhou Xingchi, so he was a little envious.
But few people were able to be visited by Yin Jun like this, and then tirelessly directed.
Not only in filming, but also in the aspect of being a man, is this a treatment that ordinary people can enjoy?
Speaking of Tang Jili, he felt lucky.
He entered the entertainment circle as a martial artist, and then spent four or five years in the circle. From martial artist to assistant to assistant director, he spent a lot of thought and a lot of effort.
Last year he had a rare opportunity to make a movie for Wu Sicheng's company. The box office was not high, but he also made some money.
While preparing to make persistent efforts, suddenly someone came to the Unicorn movie and said that Jun Shao had written a movie and wanted him to make it.
This is really a stuffed cake.
Tang Jili held the script and was thinking about it from before the Spring Festival to now.
Because Yin Jun likes to do it carefully, he also deliberately made sub-lens drawings.
After the result was handed in, General Manager Yu Zheng watched it for a long time and told him that he could start shooting.
Tang Jili was happy and nervous.
If he shoots himself well, that will be valued by Jun Shao. In the future, like Yuan Kui, Yu Yunkang, Lin Lingdong, and Chen Xunqi, they will be on their own, but they are very prestige.
If he doesn't shoot well, I'm afraid he will be beaten back, and it's hard to turn over.
Originally thinking that the film was finished, the busy Yin Jun would go to the editing room to take a look. Unexpectedly, he came today, which really made Tang Jili a little caught off guard.
Tang Jili is a wise man. Through his behavior just now, he can see the main purpose of Yin Jun today.
Liu Dehua and Yin Jun are the most familiar, but they are also out of sight, otherwise Yin Jun would not give him the little Guan family princess in his arms and let him take it with him to play.
This in itself is a kind of trust.
Zhou Xingchi is the same.
Don't look at Yin Jun as encouraging and percussive as soon as he comes up, but have you seen how many people Yin Yin has done this way?
If he didn't value this young man, how could such a move be possible?
In contrast, Zhou Xingchi seemed a bit bored, as usual on the spot, not much to talk about.
But Tang Jili also knew that as long as Zhou Xingchi was not stupid, he could hear Jun Shao's intention to train him.
Thinking of so many things in my heart, Tang Jili's face still has a smile of listening.
Tang Jili, who is in his 50s, is a handsome guy, not to mention when he was young.
Yin Jun looked at him and felt that this guy didn't go to the literary film, it was a waste.
"Director Tang ..." After finishing Zhou Xingchi, Yin Jun asked Tang Jili, "Do you think it's weird, why would I find someone like you with a simple assistant director experience to make a movie?"
"Jun Shao, just call me Lizai," Tang Jili said politely.
Then he said, "I don't know the reason, but since you are willing to give me a chance, then I will take every step of myself seriously and strive not to let you down."
"As long as you are willing to put out all your strength, you will not let me down." Yin Jun patted his shoulder. "I don't think people rarely make mistakes when they do. Disappointed! As long as you succeed, there will be more and more opportunities in the future, and you will get more and more! "
"Yes!"
Tang Jili took a long breath and said seriously: "I will take my life and treat my works religiously!"
For him, this is the heaviest commitment.
Since Yin Jun values ​​him so much, how dare he not desperately?
Life is alive, if you can seize an opportunity, you can change your destiny.
Isn't this the time to change your own destiny?
"Relax a little, it's not that exaggerated." Yin Jun said, "The most important thing we do as a director is to establish our own style and make ourselves one of the best in this respect, then we can achieve a career ... if It ’s an arbitrary switching style, that ’s not a good thing. "
"Yes."
Tang Jili replied respectfully. 35xs
He knew that Yin Jun was teaching himself and imparting experience to himself.
He also knew that Yin Jun's words were not necessarily correct.
For ordinary directors, even excellent directors, this may be the case, but for Yin Jun, it is completely wrong.
Since Yin Jun's debut, there haven't been many films made, but there are many subjects involved.
Action movies, youth movies, drama movies, etc.
Combined with Yin Jun's unique screenwriter talent, such a genius can basically shoot anything.
Even if one day, someone told Tang Jili that Yin Jun was going to make a horror movie, Tang Jili would not doubt that Yin Jun could make the first horror movie in history.
But worship is one thing, but Tang Jili will certainly not be so overwhelming and feel that he can do the same.
The reason genius is a genius is that it is different from ordinary people.
Tang Jili knew that he was a bit talented, but he also had to work hard to get started.
Don't compare with Yin Jun, otherwise you will find yourself uncomfortable!
Tang Jili was born in 60 years and is only 2 years older than Yin Jun ’s age.
The 24-year-old, although he has been in the film and television industry for four or five years, was suddenly promoted to become a director, and directed by Yin Jun's book. You have to say that he has no pressure, and he must be bragging.
But Tang Jili was also someone who had met the world abroad, and his answer was neither humble nor overbearing, which made people very comfortable listening.
Yin Jun still appreciates Tang Jili's talent for directing.
The director of "Red Fan District" is him. Although Cheng Long is in the lead in the whole movie, he can produce that kind of taste, but it just fits Cheng Long's advantages.
He is also the director who has collaborated most with Cheng Long, making 5 films for Cheng Long.
"Zodiac" was also shot by him.
With so many directors in Xiangjiang's ephemeral selection, Tang Jili's style is also obvious, which is a combination of humor and action.
Cheng Long ’s movies are very beautiful and tasteful, but the problem is that he made too few movies, which at best was one a year.
It was only after old age that two or three shots a year.
But it was already earning old-age money at that time, and the level of splendor was greatly reduced, which was not comparable to the peak period.
So Yin Jun decided to train Tang Jili and let him make more Chenglong-style movies, the sooner the better.
This will benefit the genre "Kung Fu Comedy" and become a sign of Chinese movies earlier.
Otherwise, even if the teenager is more thirsty, he will not promote a 24-year-old director who has never directed alone.
There is only one Cheng Long, but giant stars such as Yuan Biao and Hong Jinbao can also replace Cheng Long to some extent.
Moreover, the role of Tang Jili is definitely not limited to the film.
There are not many directors from Hong Kong who have a good mix in the United States and China, but Tang Jili has two consecutive American dramas, both of which are far ahead in terms of audience ratings and praise. That ’s a real skill.
There is nothing else. There are many scripts in Yin Jun.
Especially for American dramas, there are thirty or fifty parts in Yin Jun ’s safe, and all of them are super classics.
The director of the United States, Yin Jun, doesn't like it very much. In the American drama, half of the people of the United States can be used by him. He can do it by holding his nose.
"Happy Hotel", the ABC trump card, even though Tang Shuxuan did not personally shoot it now, but the directors and producers responsible for the specific shooting work are all Chinese, which proves Yin Jun's attitude.
If it is just to make money, the American drama has absolutely no meaning for Yin Jun.
It is Yin Jun ’s purpose to let the American people get used to seeing the faces of the Chinese people in TV series and movies, and let them accept and understand the Chinese culture and respect each other more.
Yu Yunkang and Chen Xunqi were filming in the US, but they were still too weak.
Tang Jili passed away after a few years of exercise, just to fill in new power.
Thinking of the American drama, Yin Jun also remembered several other directors of Xiangjiang who had outstanding achievements in Hollywood movies and American dramas.
Feng Delun, now only 10 years old, needn't mention it. Within 20 years, he didn't have the ability to be an excellent director.
First of all, it was naturally Hong Kui's Yuan Kui, who, until 2018, still filmed back and forth in Hollywood and mainland China.
Although he is not a first-rate director in Hollywood, second-rate still can be considered.
This is already the longest and most stable person director Xiang Jiang has ever had in Hollywood.
Wu Yusen is a typical anticlimax. With such a good start of "Broken Arrow" and "Mission Impossible 3", he actually made a wonderful work like "The Wind Whisperer" and finally left in disgrace.
It is a pity.
In the few years that Cheng Long was in Hollywood, the Xiangjiang movie was really bad, so Hong Jinbao took the Hong family class to do martial arts instruction for Cheng Long.
Then the Americans saw that Hong Jinbao was talented in this area, and asked him to direct an American drama. The ratings were pretty good, ranking in the top five of the year.
But Hong Jinbao ’s filming philosophy and the beauty of the Chinese people really have a big gap, so he barely made another film and he left.
This is another one.
The other is called Yu Rentai.
It was the one who shot Li Lianjie for "Huo Yuanjia".
But his specialty is not action movies, but horror movies.
He used to be a production assistant in the news department at ABC, and he is still familiar with American drama.
So after the decay of the Xiangjiang movie, Yu Rentai went directly to the United States and made amazing works such as "Ghost Baby Bride" and "Freddy vs. Jason".
Yin Jun felt that if Yu Rentai continued to develop, it would not necessarily be much worse than Wen Zhiren, a generation of guru.
Yu Rentai is now making a movie in Xiangjiang. This year's "Aura Aura" filmed by Zhou Lifa and Ye Qianwen is his work, and the box office and word of mouth are very good.
Yu Rentai is also 34 years old, which is when it can be used.
Yin Jun was about to finish his affairs, so he recruited Yu Rentai to the United States to do his horror movie.
The scripts are all ready for him. Three horror movies can absolutely scare horror fans.
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The last chapter directory without the next chapter Chapter 1651 those Fengyun directors, the strongest rebirth life-Fiction Net-novel novelette
Tang Jili, next to him, looked at Yin Jun to teach Zhou Xingchi, so he was a little envious.
But few people were able to be visited by Yin Jun like this, and then tirelessly directed.
Not only in filming, but also in the aspect of being a man, is this a treatment that ordinary people can enjoy?
Speaking of Tang Jili, he felt lucky.
He entered the entertainment circle as a martial artist, and then spent four or five years in the circle. From martial artist to assistant to assistant director, he spent a lot of thought and a lot of effort.
Last year he had a rare opportunity to make a movie for Wu Sicheng's company. The box office was not high, but he also made some money.
While preparing to make persistent efforts, suddenly someone came to the Unicorn movie and said that Jun Shao had written a movie and wanted him to make it.
This is really a stuffed cake.
Tang Jili held the script and was thinking about it from before the Spring Festival to now.
Because Yin Jun likes to do it carefully, he also deliberately made sub-lens drawings.
After the result was handed in, General Manager Yu Zheng watched it for a long time and told him that he could start shooting.
Tang Jili was happy and nervous.
If he shoots himself well, that will be valued by Jun Shao. In the future, like Yuan Kui, Yu Yunkang, Lin Lingdong, and Chen Xunqi, they will be on their own, but they are very prestige.
If he doesn't shoot well, I'm afraid he will be beaten back, and it's hard to turn over.
Originally thinking that the film was finished, the busy Yin Jun would go to the editing room to take a look. Unexpectedly, he came today, which really made Tang Jili a little caught off guard.
Tang Jili is a wise man. Through his behavior just now, he can see the main purpose of Yin Jun today.
Liu Dehua and Yin Jun are the most familiar, but they are also out of sight, otherwise Yin Jun would not give him the little Guan family princess in his arms and let him take it with him to play.
This in itself is a kind of trust.
Zhou Xingchi is the same.
Don't look at Yin Jun as encouraging and percussive as soon as he comes up, but have you seen how many people Yin Yin has done this way?
If he didn't value this young man, how could such a move be possible?
In contrast, Zhou Xingchi seemed a bit bored, as usual on the spot, not much to talk about.
But Tang Jili also knew that as long as Zhou Xingchi was not stupid, he could hear Jun Shao's intention to train him.
Thinking of so many things in my heart, Tang Jili's face still has a smile of listening.
Tang Jili, who is in his 50s, is a handsome guy, not to mention when he was young.
Yin Jun looked at him and felt that this guy didn't go to the literary film, it was a waste.
"Director Tang ..." After finishing Zhou Xingchi, Yin Jun asked Tang Jili, "Do you think it's weird, why would I find someone like you with a simple assistant director experience to make a movie?"
"Jun Shao, just call me Lizai," Tang Jili said politely.
Then he said, "I don't know the reason, but since you are willing to give me a chance, then I will take every step of myself seriously and strive not to let you down."
"As long as you are willing to put out all your strength, you will not let me down." Yin Jun patted his shoulder. "I don't think people rarely make mistakes when they do. Disappointed! As long as you succeed, there will be more and more opportunities in the future, and you will get more and more! "
"Yes!"
Tang Jili took a long breath and said seriously: "I will take my life and treat my works religiously!"
For him, this is the heaviest commitment.
Since Yin Jun values ​​him so much, how dare he not desperately?
Life is alive, if you can seize an opportunity, you can change your destiny.
Isn't this the time to change your own destiny?
"Relax a little, it's not that exaggerated." Yin Jun said, "The most important thing we do as a director is to establish our own style and make ourselves one of the best in this respect, then we can achieve a career ... if It ’s an arbitrary switching style, that ’s not a good thing. "
"Yes."
Tang Jili replied respectfully. 35xs
He knew that Yin Jun was teaching himself and imparting experience to himself.
He also knew that Yin Jun's words were not necessarily correct.
For ordinary directors, even excellent directors, this may be the case, but for Yin Jun, it is completely wrong.
Since Yin Jun's debut, there haven't been many films made, but there are many subjects involved.
Action movies, youth movies, drama movies, etc.
Combined with Yin Jun's unique screenwriter talent, such a genius can basically shoot anything.
Even if one day, someone told Tang Jili that Yin Jun was going to make a horror movie, Tang Jili would not doubt that Yin Jun could make the first horror movie in history.
But worship is one thing, but Tang Jili will certainly not be so overwhelming and feel that he can do the same.
The reason genius is a genius is that it is different from ordinary people.
Tang Jili knew that he was a bit talented, but he also had to work hard to get started.
Don't compare with Yin Jun, otherwise you will find yourself uncomfortable!
Tang Jili was born in 60 years and is only 2 years older than Yin Jun ’s age.
The 24-year-old, although he has been in the film and television industry for four or five years, was suddenly promoted to become a director, and directed by Yin Jun's book. You have to say that he has no pressure, and he must be bragging.
But Tang Jili was also someone who had met the world abroad, and his answer was neither humble nor overbearing, which made people very comfortable listening.
Yin Jun still appreciates Tang Jili's talent for directing.
The director of "Red Fan District" is him. Although Cheng Long is in the lead in the whole movie, he can produce that kind of taste, but it just fits Cheng Long's advantages.
He is also the director who has collaborated most with Cheng Long, making 5 films for Cheng Long.
"Zodiac" was also shot by him.
With so many directors in Xiangjiang's ephemeral selection, Tang Jili's style is also obvious, which is a combination of humor and action.
Cheng Long ’s movies are very beautiful and tasteful, but the problem is that he made too few movies, which at best was one a year.
It was only after old age that two or three shots a year.
But it was already earning old-age money at that time, and the level of splendor was greatly reduced, which was not comparable to the peak period.
So Yin Jun decided to train Tang Jili and let him make more Chenglong-style movies, the sooner the better.
This will benefit the genre "Kung Fu Comedy" and become a sign of Chinese movies earlier.
Otherwise, even if the teenager is more thirsty, he will not promote a 24-year-old director who has never directed alone.
There is only one Cheng Long, but giant stars such as Yuan Biao and Hong Jinbao can also replace Cheng Long to some extent.
Moreover, the role of Tang Jili is definitely not limited to the film.
There are not many directors from Hong Kong who have a good mix in the United States and China, but Tang Jili has two consecutive American dramas, both of which are far ahead in terms of audience ratings and praise. That ’s a real skill.
There is nothing else. There are many scripts in Yin Jun.
Especially for American dramas, there are thirty or fifty parts in Yin Jun ’s safe, and all of them are super classics.
The director of the United States, Yin Jun, doesn't like it very much. In the American drama, half of the people of the United States can be used by him. He can do it by holding his nose.
"Happy Hotel", the ABC trump card, even though Tang Shuxuan did not personally shoot it now, but the directors and producers responsible for the specific shooting work are all Chinese, which proves Yin Jun's attitude.
If it is just to make money, the American drama has absolutely no meaning for Yin Jun.
It is Yin Jun ’s purpose to let the American people get used to seeing the faces of the Chinese people in TV series and movies, and let them accept and understand the Chinese culture and respect each other more.
Yu Yunkang and Chen Xunqi were filming in the US, but they were still too weak.
Tang Jili passed away after a few years of exercise, just to fill in new power.
Thinking of the American drama, Yin Jun also remembered several other directors of Xiangjiang who had outstanding achievements in Hollywood movies and American dramas.
Feng Delun, now only 10 years old, needn't mention it. Within 20 years, he didn't have the ability to be an excellent director.
First of all, it was naturally Hong Kui's Yuan Kui, who, until 2018, still filmed back and forth in Hollywood and mainland China.
Although he is not a first-rate director in Hollywood, second-rate still can be considered ~ EbookFREE.me ~ This is already the longest and most stable person in Hong Kong director Xiang Jiang.
Wu Yusen is a typical anticlimax. With such a good start of "Broken Arrow" and "Mission Impossible 3", he actually made a wonderful work like "The Wind Whisperer" and finally left in disgrace.
It is a pity.
In the few years that Cheng Long was in Hollywood, the Xiangjiang movie was really bad, so Hong Jinbao took the Hong family class to do martial arts instruction for Cheng Long.
Then the Americans saw that Hong Jinbao was talented in this area, and asked him to direct an American drama. The ratings were pretty good, ranking in the top five of the year.
But Hong Jinbao ’s filming philosophy and the beauty of the Chinese people really have a big gap, so he barely made another film and he left.
This is another one.
The other is called Yu Rentai.
It was the one who shot Li Lianjie for "Huo Yuanjia".
But his specialty is not action movies, but horror movies.
He used to be a production assistant in the news department at ABC, and he is still familiar with American drama.
So after the decay of the Xiangjiang movie, Yu Rentai went directly to the United States and made amazing works such as "Ghost Baby Bride" and "Freddy vs. Jason".
Yin Jun felt that if Yu Rentai continued to develop, it would not necessarily be much worse than Wen Zhiren, a generation of guru.
Yu Rentai is now making a movie in Xiangjiang. This year's "Aura Aura" filmed by Zhou Lifa and Ye Qianwen is his work, and the box office and word of mouth are very good.
Yu Rentai is also 34 years old, which is when it can be used.
Yin Jun was about to finish his affairs, so he recruited Yu Rentai to the United States to do his horror movie.
The scripts are all ready for him. Three horror movies can absolutely scare horror fans.