Chapter 1682: "Painting" to the original owner

Yin Jun has a very good relationship with Toshio Suzuki.
As the editor-in-chief of "Kirin Semi-Monthly" and as a very responsible person, Toshio Suzuki often went to the headquarters of "Kylin Weekly" to get his lessons, and often stayed for several days.
Every time Yin Jun meets, he will be invited to have a meal and talk about the current status and development direction of the Japanese comic industry.
Although Toshio Suzuki knows that this is because Japan ’s animation market is the largest in the world and the most profitable sales place for
Kylin Weekly
, Yin Jun ’s kindness and amiable attitude still made him heartbroken.
Moreover, Yin Jun made a very reasonable point. He is very familiar with the entire cartoon and animation industry chain of Japan. This may be related to his emphasis on intelligence gathering in the ordinary days.
No wonder that "Kylin Weekly" sold so well in Japan, because Yin Jun already knew Japan very well. My preferences!
If Yin Jun was just a famous genius a few years ago, then Yin Jun can almost be ranked in Japan. The top three super rich.
Such a big man treats himself as before, without the slightest arrogance, of course, Minho Suzuki can feel it.
It is really rare for people who have achieved such a great career, but can still maintain their heart.
So after getting this creative script this time, Toshio Suzuki specifically called Yin Jun to express his doubts.
"Why such a good story, you didn't get" Kylin Weekly "to serialize it, but gave it to us?" As the editor-in-chief of "Kirin Semi-Monthly", Suzuki asked straightforwardly.
He would not believe that Yin Jun had no energy to make this cartoon.
Because even the super immortal classics like "Slam Dunk", Yin Jun gave creativity, stories and character settings, and then handed them to the writers and artists of Kirin Culture.
These screenwriters and artists who have been refined for four or five years are already familiar with understanding the story and meaning of Yin Jun.
For the market, they can accurately grasp the minds of readers and create comics that meet market expectations.
The story given by Yin Jun is obviously a very good and very interesting story.
If you take it in "Kylin Weekly", you would not dare to surpass classics such as "Ke Lan", "Slam Dunk", "Saint Seiya", but it is not impossible to become a super first-class comic.
How can Yin Jun take it out with such a big piece of fat?
Even if Yin Jun is willing to take it out, will Kirin Cultural Headquarters be willing to give it up?
Not for the cartoonists of Hua Guo, but for a small and famous cartoonist in Japan. What is the reason?
Judging from Toshio Suzuki's understanding of Yin Jun, although this genius is kind and willing to help others, he is a man with a strong sense of homeland.
For his motherland, Yin Jun did not fight against others in Xiangjiang, nor did he try to suppress those who had different ideas from him.
As long as this aspect is involved, the genius will immediately turn into a cruel and cruel tyrant, beating others in embarrassment.
The same is true for cooperation.
For example, in animation.
Obviously, the production level of Dongying Animation in Asia is one of the best and the quality is the best, but Yin Jun chose to let the Shanghai-based Haihai Art Film Studio produce half of the animation.
Even if the artists and animators there are outdated, Yin Jun does not care, and sends them directly to Japan, Japan, and the United States to study.
Even if the various equipment there are not complete and very rudimentary, Yin Jun simply donated the latest equipment directly, at all costs.
In this case, even if Junjun wants to be drawn by cartoonists of other companies, he can find cartoonists at Huhai Fine Art Film Studio in mainland China!
There is also a tradition of comics there!
Things are obviously a little bit wrong, so Toshio Suzuki naturally wants to ask clearly.
Based on his relationship with Yin Jun and his understanding of Yin Jun, I believe that Yin Jun will not hide it.
Although Toshio Suzuki will soon be in charge of an animation production studio and will no longer be in charge of "Kirin Semi-Monthly", Yin Jun will never ignore it.
Besides, this animation production studio was also wholly-owned by Yin Jun, with an initial investment of 1 billion yen, so instead of being exiled, Suzuki Minfu was entrusted with a heavy responsibility.
When I heard this question from Minfu Suzuki, Yin Jun did not hide it, "Mr. Suzuki, the first is because I think the style of this cartoonist is very suitable for my story. The second is because Japan is now the world's largest The comics market, if all my comics dominate the market, I am afraid it will cause a lot of trouble.
Therefore, I should support a few more days. The local cartoonists, even if they only cooperate with me, will be easier to accept in name. Believe it or not, the industry of comics is always a generation of heroes. I look forward to the day when someone ’s comics can surpass me and become the world ’s number one. "
Toshio Suzuki smiled bitterly, "It's a good idea to support the newcomer, but if anyone can surpass you, at least before I die, it must be out of sight!"
His words are very serious and sighed, and they are absolutely sincere, without any falsehood and flattery.
In fact, Yin Jun ’s worry cannot be said to be too unnecessary.
Japanese comic fans, of course, admire and like Yin Jun's comics, but if they are instigated by intentional people for various reasons, it will still cause some trouble.
This is why Yin Jun insisted on working with Dejian Bookstore to make Dejian Bookstore grow stronger.
This is also the reason why Yin Jun would rather split up his interests and bind with the Asahi Group.
The stronger your partner is, the more your own interests can be guaranteed.
Not to mention, the animation industry, even in this kind of online society in 2020, did not crash in Japan. At most, it only weakened a lot, which deserves a lot of energy from Yin Jun.
Markets in developed countries with a population of over 100 million cannot be discarded.
One of the reasons that Toshio Suzuki admired Yin Jun was Yin Jun's willingness.
He is willing to share huge profits with others, which can unite many people.
Including what Yin Jun said, let the Japanese cartoonist to draw his creative script, it is also a way of dividing interests.
But from another perspective, Yin Jun's last sentence is too modest.
Even if someone can produce a shocking comic book, even if he is so shocked that he can produce two equally superb comic books, it is absolutely impossible to have a third one.
This is a summary of the comic industry for decades.
Generally speaking, a cartoonist must have only one comic, and at most two.
The remaining works are either repeating their own classics, or slowly falling into silence during continuous innovation until they retire.
But Yin Jun is different!
Everyone came up with 13 super first-rate and first-rate comics. In the past three or four years, they have kept three comics added every year, and they are all varied and all-inclusive.
All kinds are not terrible, what is terrible is that Yin Jun can do super excellent in any category!
Sports, fighting, adventure, hilarious, detective, etc., which one does not have super-class classics?
If one of the popular discourses in the hinterland is to say, Yin Jun's start is to stand directly at the end of the victory, how do you compare with others?
So this summary is invalid for Yin Jun.
But to other writers, it still works.
Therefore, Toshio Suzuki said without hesitation, before he died, he would definitely not see it.
In any case, Yin Jun sent out the meaning of the manga script. Toshio Suzuki understood it, so he called the young man whom Yin Jun valued so much and set Yin Jun ’s script and gave it to him solemnly.
"Araki, this script is one of the best comic ideas I have ever seen. Please be sure to treat it well and don't live up to the expectations of Mr. Yin Jun." Minfu Suzuki said rightly.
"Yes!"
Araki Toshiyoshi also took the script and the setting book with his solemn hands, "I will definitely work hard and will not disappoint Mr. Yin Jun and the editor-in-chief of Suzuki !!"
After taking Yin Jun's script settings, Araki's hands were a little trembling.
Looking down at the name, "Jojo's Bizarre Adventure" ...
The meaning of these Chinese characters can still be guessed by Araki Mori, after all, the meaning of Chinese characters is basically the same as that of Japanese.
It's a story about adventure!
Suddenly, Araki was very excited, and wished to open it immediately.
This excited young man certainly doesn't know. This work is exactly the most famous work in his life, and it is the work that will accompany him throughout his life.
It's just that he published the name of the work, not using the current pseudonym Araki, but changed the name.
Called
Araki Hirohiko!
Yes!
He is Japan. Araki Hirohiko, who is enough to rank among the top ten cartoonists
A "Jojo's Bizarre Adventure" made him popular all over Japan. At the same time, he got a very high evaluation.
In this regard, he is very similar to another top ten cartoonist-Che Tian Zhengmei.
Both of them are a comic book to fight the world, and the same is a comic book that made them famous for their history.
The difference is that Chetian Zhengmei's comics are full of justice and friendship, while Araki Hirohiko's comics are very vicious and full of incredible.
Because this comic does not conform to the mainstream social concept, and later, there are many darkened things, so for a long time, it is the same underrated work as "Death".
However, the success of "Jojo's Bizarre Adventure" is also obvious to all.
The most wonderful thing about it is that Araki Hirohiko added the superpowers of "stand-ins" to the characters inside.
This kind of "avatar" was later used in many comic works, and it was very good.
With this one, Araki Hirohiko is a figure belonging to the originator of Kaishan.
And Araki Hirohiko also has a great advantage. He painted "Jojo's Bizarre Adventure" for decades. The time spans hundreds of years. Except for a while when it was a bit chaotic, the big pattern did not collapse!
This is amazing!
Many cartoonists do not know how to draw halfway through their paintings, and the storyline is completely a mess, so the hurried end is commonly known as the bad end.
Araki Hirohiko's ability to paint for 30 years is still within his own framework, and it can be so vivid and interesting. I am afraid that only the authors of the three major migrant cartoons can compare with him.
Yin Jun has no time to paint "Jojo's Bizarre Adventure" for thirty years.
In addition, what he said to Toshio Suzuki is true, so he simply took out one and gave it to Araki Hirohiko to see how it worked.
Anyway, there are twenty or thirty classic comics in his hand, so I'm not afraid of them.
The most classic ones, Yin Jun will certainly not give them out to others, such as "Naruto", "One Piece", "Gintama", "Go. Strike. Giant. People", etc. These are definitely for "Kylin Weekly" contributed every point.
Only the next best works will come out.
Besides, although Araki Hirohiko is a cartoonist, the creativity and copyright of "Jojo's Bizarre Adventure" are still Yin Jun's.
The biggest piece of cake was still eaten by Yin Jun. He only gave a little benefit to Araki Hirohiko, and it also made him grateful to Dade. What's wrong?
More importantly, this is also a release of attitude.
Yin Jun is here to tell the cartoonists that you can also draw my script in the future, just like the writers of the Qilin culture do. Www.EbookFREE.me Jun's script, at least this carrot, Yin Jun is hanging in front, how much is also an inspiration for these cartoonists!
How can I write the work of the King of Comics, how can it be a great glory!
...
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