Vol 2 Chapter 177: Emotional injection

Throughout the day, Xiang Kun basically spent two wood carvings.
I thought it would be easier to establish another special connection after creating the "super-sensing connection" with materials, but I didn't think about it but failed directly.
Could it be because the "super-sensory connection" is a connection based on the level of rational observation, and the "perceptual" connection that can perceive the emotions and dreams of others?
Xiang Kun still habitually gave an explanation for the phenomenon he observed first that he could understand.
At ten o'clock in the evening, he was going to put the wood carving aside for now, and sensed three objects that had established a special connection with him. The two characters were still silent, but the eight-armed and eight-eyed wood carving responded.
This made Xiang Kun quite excited. He immediately sat down and was ready to perceive, as if he kept flipping through his mobile phone and finally saw the goddess of pursuit reply to WeChat!
However, as soon as he obtained the emotion that was clearly not his own through perception, and seeing the fuzzy picture, he was shocked to lean back and almost bounced off his chair.
Damn it!
What the is this!
Although the scenes he saw in the previous two times were different, they were all lying on the bed.
But this time, in the emotion of fear he perceives, in the subjective view of the scene, he is actually immersed in a huge boiling oil pan, boiling continuously, and there are several ugly monsters around. Tearing his flesh and devouring.
The monster with eight arms and eight eyes was also among them, but instead of participating in the swallowing, it tilted its head and leaned over to look at the "emotional man".
Xiang Kun also saw from the gaps surrounded by these monsters further away, there are many normally dressed humans, including men and women, old and young, all looking at this side from a distance, clapping their hands and applauding.
What did this guy do? Actually fearing the situation in which you are stuck, and the appearance of becoming, is this hell-like scene?
Xiang Kun, who had already had most of Guo Tianxiang's memories, thought he had seen a lot of "horror scenes", and his nerves were already very high.
But this scene...he really hasn't seen it before! It's too impactful!
Xiang Kun is even a little worried about this "emotional person". He perceives the other party's emotions and can know very clearly that the emotion does not belong to him. Therefore, emotions will not cause a series of physical and psychological chain reactions. "But it's different. This kind of intense panic can have a deep impact even in dreams.
Since this wood carving is in the hands of Tang Baona’s grandfather, the people affected are probably Tang Baona’s relatives. This is not so good...
Xiang Kun pondered that he would have to find a way to contact Tang Baona tomorrow to exchange the wood carving back. It is not a good thing to keep people having nightmares.
But what makes him a little puzzled is why the three dreams seem to be produced by different people? Has the location of the wood carving changed?
After the perception of the eight-armed and eight-eyed woodcarving was over, at about eleven o'clock, Xiang Kun sensed a reaction from the "List of Masters".
The emotions he perceive this time, as he expected, are nostalgia and a trace of sadness. The dream scene he saw was at a mourning meeting. From the black and white photo in the middle, he could recognize that it was A comrade in arms when his father was in the army, died in a car accident more than ten years ago.
His father's comrade-in-arms had a very close relationship with him in the army. Although he was not in the same place after being demobilized, there was occasional contact. Xiang Kun also met several times when he was a child.
It can already be judged that this is father's dream.
It can be seen that among the mourning crowd next to him, there is also the old man who lived next door in Tongshi Town and taught Xiangkun to write Chinese calligraphy.
Xiang Kun knew that the old man was the projection of the emotions that aroused the words.
Later, Xiang Kun saw the scenes of his father and his comrades when they first entered the army training from a subjective perspective. Naturally, these scenes also contain all kinds of chaos from the old man next door.
Seeing the kindness and kindness of the old man still staying in Xiang Kun's second year of summer vacation, he was also a little bit embarrassed.
After the dream was over soon, Xiang Kun tried to sense the lyrics sent to Xia Libing again, but did not bring any feedback. Looking at the time, it was already more than 2 in the morning, did Lao Xia still not sleep?
Or was the character placed in the hospital office, and could not affect her?
Or she was on duty in the hospital at night and did not go home to rest?
Putting this aside for the time being, Xiang Kun continued the induction of "Being a Teacher", and as expected, he received sensory feedback soon after.
The dream that I entered this time was obviously mom's.
This can also prove that this kind of item that has established a special connection cannot affect multiple targets at the same time to produce dreams, but after a period of time, it can continue to act on other targets, and it seems to have a cooldown.
However, his mother’s dreams also made Xiang Kun quite stunned. He was actually watching TV in the living room at home. There was a character in the play who just GG. The mood of his mother followed the characters in the play and fell into sadness and nostalgia.
And not far away, the old man next door was sitting on the sofa with his father playing chess...
After my mother's dream was over, Xiang Kun began to sort out his judgments about this new special relationship.
Up to now, there are a total of three objects connected, eight-armed eight-eyed wood carvings and two characters, and he has perceived the dream scene five times.
It can be seen that when someone holds these items with a special relationship, Xiang Kun can vaguely perceive the emotions of the holder, but he cannot determine the location, see any pictures, or get sensory information.
When a person near the object falls into sleep, the emotions "given" by Xiang Kun on the object will have an assimilation effect on the person, causing the person in sleep to have the same emotion, and then dreams will begin to appear. Xiang Kun can "see" through perception. "To the dream.
He speculated that when people are awake, these items that have established special relationships have insufficient emotional influence, so they cannot assimilate the emotions of the holder, and can only feed back the emotions of the holder to Xiang Kun. Only after a person falls asleep can it have enough influence to make people dream and get feedback from the dream.
Compared with the previous "mental shock", "emotional assimilation" and "emergency projection", the influence of these items on emotions can only be said to be weak.
These items are like routers, through which Xiang Kun can get a small amount of data (emotions) fed back by the target "host", and can send them to the target "host" through the "program" (emotions placed during production) preset on the router Fixed instructions.
But during the day when the target is awake, there is a relatively strong "firewall", and commands cannot affect the target "host". Only at night can you enter the "host" to have an impact, but although the instructions are the same, the results (dreams) of the programs running on different "hosts" are different.
The whole dream is like a form. This form is a gym membership registration form or a resume form for job hunting. It is determined by the emotion that produces the dream. As for the specific content on the form, it is determined by the actual situation of each person. .
The eight-armed and eight-eyed woodcarving and the old man next door are just like the text and title on the table.
Xiang Kun suddenly remembered Guo Tianxiang’s ability to "build up his own fear projection" after facing each other. He had never understood before that the "projection" produced by his facing vision after "emotional assimilation" should be more difficult. It can be done easily, why has it been impossible to "build one's own fear projection".
Looking at it now, it is not that he "transmits" not enough data behind the sight, but that it "transmits" too much.
Guo Tianxiang's "establishing a projection of self-fear" should only impose an emotional command of "fear" on the target, and how to perform it next is the target's self-imagining.
It's as if Guo Tianxiang just assigned the topic of the composition, and then the students began to write the composition according to their own knowledge and imagination, and then went to the podium to read it out loudly.
Xiang Kun’s "Projection All Present" directly took a written composition in front of the students: "Stop BB, this is what you wrote, go read it!"
The emotional impact of Guo Tianxiang’s
establishing his own fear projection
is obviously different from Xiang Kun’s
emotional assimilation
. The former is a composition topic, while the latter is a sample essay for the whole class. The writing style is still limited to the framework of the model essay.
Even if Xiang Kun was aware of this, he couldn't find a way to exert an emotional influence similar to Guo Tianxiang's.
But now, this kind of object that has established a special connection affects other people's dream emotions is exactly similar to Guo Tianxiang's "Building Your Own Fear Projection"!
As long as you know that the functions and effects are similar, the next thing to consider is how to extract, improve and apply this function.
Moreover, Xiang Kun has further thoughts, whether it is possible to "collect" the emotions that are fed back through items that establish special connections and use them to impose on other targets?
For example, Xiang Kun had previously imagined using "emotional assimilation" to affect the people around him, and at the same time have a strong appetite for the same dish, but the problem is that it is difficult for him to have that kind of strong appetite for ordinary food, and the time to enter the mood It is also difficult to grasp, so I can only give up.
But if he has a way to "collect" other people's emotions, and then "cast" them in some other way, to control the type of effect and the time of action, wouldn't it be possible to do many things that "emotional assimilation" cannot do ?
After thinking about it, Xiang Kun decided to temporarily call this ability to give special connections to objects through the process of constructing and creating ~EbookFREE.me~ by incubating emotions as "emotional injection".
Until nine o'clock in the morning the next morning, Xiang Kun could not feel any emotions or get any dream feedback through the handwriting to Xia Libing, so he could only give up.
He decided not to have any inductions with the character in his family's "Teacher List" tonight. He would call tomorrow to test whether his parents had dreams, so as to determine whether the dreams were triggered by his induction or whether he would have induction or not.
If it will happen all the time, although that kind of "nostalgic" emotional dreams should not bring any negative effects, it is not good to have dreams all the time. He will find an excuse for his mother to send the "Teaching List".
It was ten o'clock, just as he was about to contact Tang Baona, he wanted to make an appointment to meet her grandfather, and exchanged the eight-armed eight-eyed woodcarving with a "canary woodcarving", and by the way, he tapped on who the terrible dream belongs to last night. At that time, Tang Baona first posted a photo on WeChat. The photo was a wooden sculpture with eight arms and eight eyes.
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