Chapter 721: .Small cost has big effect

For example, the first horror film "Snake Girl", the first horror film co-operated by Kyushu in the Tang Dynasty and the island country Tanaka Films, this apparently restricted low-cost horror film, actually won more than 1 billion yen in the box office in the island country.
Although this box office is nothing, it is less than 100 million Chinese dollars.
But because the production cost of "Snake Girl" is only 10 million yen, this movie is definitely a hit.
Regardless of whether the subject matter is marginalized, others can be screened in an island country, and that is in line with the laws of other island countries.
As a result, under the propaganda of Kyushu in the Tang Dynasty, the success of "Snake Girl" may not be a big deal, but it has added a new profit growth point to Kyushu in the Tang Dynasty.
At the same time, Kyushu and Tanaka Films in the prosperous Tang Dynasty took advantage of the success of "Snake Girl" to quickly play a new card, planning to shoot 10 low-cost horror movies within two years.
After the news came out, the stock price of Shengtang Kyushu rose accordingly.
The power of example is extremely powerful.
And the key is that there are huge interests involved, and of course several other companies are starting to look forward to it.
On the Huaxin side, Wang Yifan’s "Midnight Ring" cannot be imitated, but can't movies like "Snake Girl" be copied yet?
The key is that this allows them to see that the new profit growth point can be favored by investors.
In fact, many people follow blindly. In fact, did "Snake Girl" really make Kyushu during the Tang Dynasty earn money? The answer is yes, but the money can be said to be minimal, but when they announced the news, many people saw only the box office numbers and production costs, and what they saw was the return on investment.
Although these things will be obvious when the detailed financial report is finally announced, one entry and one exit are enough to make them profitable.
On the other side, Keno Matsumoto has been urging for Huaxin, or Wang Yifan, to come up with projects as soon as possible.
No way, the North American market basically tends to solidify. In North America, everyone has their own financing channels for those obvious high-quality projects, and they will certainly not let their opponents share a piece of the pie. After all, some are hot money and want to invest. Not a time of economic crisis.
Therefore, Matsumoto Keno wanted to achieve his goal through Wang Yifan's project.
As for Wang Yifan, it is false that he is not interested in the North American market, but he also knows that the North American market is solidified and the same forces are solidified, and many of their local capital cannot enter the biggest piece of cake. What's more, they are outsiders.
Moreover, a country like the U.S. Emperor has always been a rogue country. When Wang Yifan traveled through the past life, his face was not too ugly.
Therefore, it is true that he is interested in the North American market, but he certainly does not fantasize about becoming bigger.
Not only because of difficulties, but also because he knew that his basic disk was Hua Guo.
And the market in China is not lower than that in North America.
For example, even if Wang Yifan or Huaxin opened a branch in North America and then made a big-selling film, what about the distribution channels?
The distribution channels here do not only refer to the theater distribution channels, but also other peripheral channels, which have long been monopolized by Hollywood media giants.
They can accept the issue, but the commission can make you desperate.
Therefore, Wang Yifan didn't even think about the big production, but the small cost can be considered.
After Wang Yifan lost the past three scripts, he asked the North American branch to go with Matsumoto Global.
Of course, Wang Yifan chose short and fast projects.
The cost of each movie can be controlled within three million dollars.
And the filming cycle can be said to be very short, as long as two months, as short as one month can make the movie.
Takeo Matsumoto was naturally unsatisfied at first, but there was no alternative, he had no other choice.
As a result, Matsumoto Keno didn't expect it, and other domestic giants didn't expect it at all. Lin Husheng was also completely unexpected.
All three of Wang Yifan's projects have all exploded!
First of all, the production cost of "Chain Saw" was only US$2 million. As a result, because of the news that almost scared people to death, the routine was very old, but the audience could not stand it.
As a result, this small-cost horror film with a cost of only two million US dollars took less than a month from the project to the completion of the film, plus the release, it took less than two months before and after, such a small cost. The movie actually became the one-week box office champion in North America.
The final box office hopes to exceed 50 million dollars!
After the news reached China, Lin Husheng was dumbfounded. Other domestic giants who were celebrating the success of investing in island horror films were dumbfounded.
Matsumoto Keno was also dumbfounded.
Because I wanted to win over Wang Yifan, and "Saw Cry" was only a small-cost movie, and Wang Yifan produced a script, and then ignored the rest, so it is naturally difficult for Matsumoto to have any confidence. Matsumoto Global didn't even directly invest in a "Chain Saw", but just took over the release of "Chain Saw".
But the result directly broke out with a box office of 50 million.
This makes Matsumoto Keno too regretful, and what makes him more shocked is that "Chain Saw" is actually a very obvious series of movies.
The most direct manifestation in China is that Huaxin's stock price has soared by more than 5 points.
No way, "Chain Saw" is nominally a movie invested by Huaxin, and it actually opened up the situation in North America.
With a cost of US$2 million, a box office of US$50 million, the rate of return on the ticket property is more than 25 times! This is a big hit, it's a big hit!
And this eclipsed the "Snake Girl" that was concocted by 10 million yen at the box office of 1 billion yen.
why? Obviously, it seems that "Snake Girl" has a higher rate of return on ticket sales, but you must know that one is an island country and the other is North America.
Moreover, 1 billion yen seems to be a lot, but it is equivalent to a US dollar, but only more than 10 million.
The two are simply not comparable.
However, this is not the end.
After that, Wang Yifan’s second North American low-cost film, "Reaper Is Coming", was not as stunning as "Chain Saw", but the box office of more than 20 million dollars was equally stunned. .
The point is, this particular meow is another low-cost film that can be created as a sequel.
The key point is that in the North American market, everyone knows that the box office is actually just a small part of the revenue. The big part is in other aspects, such as streaming media copyright, DVD copyright, TV station broadcasting rights, and a series of peripheral authorizations.
And to make a series of movies, the benefits involved are not as simple as tens of millions of dollars.
Therefore, compared with the domestic giants' small fights in the island country, the two films of Huaxin in North America are truly awesome.
Wang Yifan's reputation as the golden holy hand is once again famous!